Manners, Customs, and Dress During the Middle Ages and During the Renaissance PeriodJacob, P. L.
History
Manners, Customs, and Dress During the Middle Ages and During the Renaissance Period
Jacob, P. L.
Clothing and dress; Manners and customs; Middle Ages; Renaissance
Amongst the games comprised under the name of _tables_, it is sufficient
to mention that of draughts, which was formerly played with dice and with
the same men as were used for chess; also the game of _honchet_, or
_jonchées_, that is, bones or spillikins, games which required pieces or
men in the same way as chess, but which required more quickness of hand
than of intelligence; and _épingles_, or push-pin, which was played in a
similar manner to the _honchets_, and was the great amusement of the small
pages in the houses of the nobility. When they had not épingles, honchets,
or draughtsmen to play with, they used their fingers instead, and played a
game which is still most popular amongst the Italian people, called the
_morra_, and which was as much in vogue with the ancient Romans as it is
among the modern Italians. It consisted of suddenly raising as many
fingers as had been shown by one's adversary, and gave rise to a great
amount of amusement among the players and lookers-on. The games played by
girls were, of course, different from those in use among boys. The latter
played at marbles, _luettes_, peg or humming tops, quoits, _fouquet,
merelles_, and a number of other games, many of which are now unknown. The
girls, it is almost needless to say, from the earliest times played with
dolls. _Briche_, a game in which a brick and a small stick was used, were
also a favourite. _Martiaus_, or small quoits, wolf or fox, blind man's
buff, hide and seek, quoits, &c., were all girls' games. The greater part
of these amusements were enlivened by a chorus, which all the girls sang
together, or by dialogues sung or chanted in unison.
[Illustration: Fig. 181.--Allegorical Scene of one of the Courts of Love
in Provence--In the First Compartment, the God of Love, Cupid, is sitting
on the Stump of a Laurel-tree, wounding with his Darts those who do him
homage, the Second Compartment represents the Love Vows of Men and
Women.--From the Cover of a Looking-glass, carved in Ivory, of the end of
the Thirteenth Century.]
[Illustration: The Chess-Players.
After a miniature of "_The Three Ages of Man_", a ms. of the fifteenth
century attributed to Estienne Porchier. (Bibl. of M. Ambroise
Firmin-Didot.)
The scene is laid in one of the saloons of the castle of
Plessis-les-Tours, the residence of Louis XI; in the player to the right,
the features of the king are recognisable.]
Public-domain text, read in full here on John Shaqi.
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