Francia, Francesco, approximately 1450-1517; Mantegna, Andrea, 1431-1506; Painters -- Italy -- Biography
At the time Francia grew up the power of the Bentivogli family was
supreme in Bologna. This proud house claimed descent from King Enzio,
the unfortunate son of the Emperor Frederico II., whose long captivity,
vain attempts at escape, and loves with the fair Lucia di Viadogolo have
thrown a romantic charm over the grim walls of the Palazzo del Podestà.
Nothing less than the attainment of sovereign power could content the
Bentivogli in the fifteenth century, and after a long struggle with the
Popes, who claimed the supremacy of Bologna, they finally succeeded
in accomplishing their object. The reigning prince was now Giovanni
Bentivoglio II., who had assumed the reins of government in 1463, and
was undisputed master of the city. Although his tyranny became hateful
to the people, and ultimately proved the cause of his ruin, he was a
liberal and munificent patron of Francia, and rivalled the princes
of the house of Este by the encouragement which he gave to the fine
arts. He soon discovered the rising genius of the young goldsmith, and
appointed him Master of the Mint, an office which, in spite of many
vicissitudes in public affairs, Francia retained to the end of his life.
Other distinctions fell to his share. In 1483, and again in the year
1489, he was elected steward of the goldsmiths’ guild, a further proof
of the esteem and honour with which his countrymen regarded him. By this
time he was already married, since his sons Giacomo and Giulio were
born, the former before, and the latter in, 1487; but we hear no further
particulars and know nothing of his wife excepting that her name was
Caterina.
Public-domain text, read in full here on John Shaqi.
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