Manual of Egyptian Archaeology and Guide to the Study of Antiquities in EgyptMaspero, G. (Gaston)
History
Manual of Egyptian Archaeology and Guide to the Study of Antiquities in Egypt
Maspero, G. (Gaston)
Art -- Egypt; Egypt -- Antiquities
Objects in ivory, bone, and horn are among the rarities of our museums; but
we must not for this reason conclude that the Egyptians did not make ample
use of those substances. Horn is perishable, and is eagerly devoured by
certain insects, which rapidly destroy it. Bone and ivory soon deteriorate
and become friable. The elephant was known to the Egyptians from the
remotest period. They may, perhaps, have found it inhabiting the Thebaid
when first they established themselves in that part of the Nile Valley, for
as early as the Fifth Dynasty we find the pictured form of the elephant in
use as the hieroglyphic name of the island of Elephantine. Ivory in tusks
and half tusks was imported into Egypt from the regions of the Upper Nile.
It was sometimes dyed green or red, but was more generally left of its
natural colour. It was largely employed by cabinet makers for inlaying
furniture, as chairs, bedsteads, and coffers. Combs, dice, hair-pins,
toilette ornaments, delicately wrought spoons (fig. 242), Kohl bottles
hollowed out of a miniature column surmounted by a capital, incense-burners
in the shape of a hand supporting a bronze cup in which the perfumes were
burned, and boomerangs engraved with figures of gods and fantastic animals,
were also made of ivory. Some of these objects are works of fine art; as
for instance at Gizeh, a poignard-handle in the form of a lion; the plaques
in bas-relief which adorn the draught-box of one Tûaï, who lived towards
the end of the Seventeenth Dynasty; a Fifth Dynasty figure, unfortunately
mutilated, which yet retains traces of rose colour; and a miniature statue
of Abi, who died at the time of the Thirteenth Dynasty. This little
personage, perched on the top of a lotus-flower column, looks straight
before him with a majestic air which contrasts somewhat comically with the
size and prominence of his ears. The modelling of the figure is broad and
spirited, and will bear comparison with good Italian ivories of the
Renaissance period.
[Illustration: Fig. 243.--Wooden statuette of officer, Eighteenth Dynasty.]
[Illustration: Fig. 244.--Wooden statuette of priest, Eighteenth Dynasty.]
[Illustration: Fig. 245.--Wooden statuette of the Lady Naï.]
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