Few bas-reliefs have been noticed in Cyprus. However, a colossal statue
of Heracles in the Græcizing style, found at Golgoi, had a pedestal
decorated with a most remarkable bas-relief, reminding us of those in
the Ninevite palaces. The ground is painted red to make the figures
stand out; the relief is low and flat, the anatomical details of the
figures are carefully studied and exaggerated in the Assyrian manner.
The scene represents Heracles driving away the herds of Geryon, a
subject which seems to be of Tyrian origin. Heracles, nude, with the
lion’s skin on his back, was probably holding his bow, which has
disappeared as well as his head; like the giant Izdubar, he is of
colossal stature; before him is the dog Orthros, with three heads,
already pierced by an arrow shot at him by Heracles; Eurytion flees with
his herds; his beard and hair are treated in the Assyrian manner. He
carries a whole tree, with which he was no doubt lashing his oxen; this
tree is treated like those that figure on the walls of Nineveh.
[Illustration: Fig. 218.--Sarcophagus from Amathus. (New York Museum.)]
Certain Cypriote sarcophagi are also decorated with Greek subjects,
treated in the oriental manner: the birth of Chrysaor, who issues from
the neck of Medusa, for instance, is seen; banqueting scenes and bull or
boar hunts are found. A picture represented on the principal side of a
sarcophagus from Amathus (fig. 218) is copied in servile fashion from
the sculptures of Assyria and Egypt; there are rows of pearls,
lotus-flowers and daisies; a climbing plant is even to be remarked here
like the sacred tree on the Ninevite bas-reliefs. One of the figures
holds the Asiatic umbrella, and the tassels of the horses are Assyrian.
However, the figures of the cortège are Greek in style, attitude and
costume. On the smaller sides are two oriental subjects: at one end four
figures of Astarte in full face, of the type reproduced in profusion in
Chaldæa and Phœnicia; at the other four figures of the god Pygmæus,
who is made up, as we have seen, of Bes and Izdubar together.
Public-domain text, read in full here on John Shaqi.
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