The celebrated code of laws of Hammurabi, the most important monument which up to the present time has been exhumed from the ruins of Susa, is, also, not of Susian origin (fig. 248). Hammurabi was king of Babylon, and the stela on which his law is engraved was taken from Chaldæa. The text itself tells us its origin. It was originally at Sippara, in the temple of the sun, the god who inspired the precepts engraved on the monument. Shutruk-Nakhunta caused it to be transported to Susa after his victorious campaign into Chaldæa. It is a block of diorite, with a circumference of about 6 feet at the base, and is 7 ft. 3 in. in height. It resembles an enormous ovoid pebble, carefully polished but not shaped, a characteristic which we have observed in the stela of Naram-Sin and a large number of Chaldæan monuments, The whole surface is covered with fine close writing, engraved with most careful precision. The space at the top of the stela is reserved for representations in high relief of the god Samas, holding out his hand to the king, who is standing before him, giving him the stylus, with which to write his laws. The costume both of god and king is purely Chaldæan. [Illustration: Fig. 248.--Stela of Hammurabi, on which his code of laws is engraved.] Again Chaldæan in origin, although of far later date, is a small diorite fragment of bas-relief called the _bas-relief of the Spinner_.[108] It represents a woman sitting on a stool, her legs crossed and feet behind in the tailor’s attitude. She is holding her spindle with both hands; in front of her is a fish lying on a table, and behind her a slave is waving the fly-flap. The round chubby faces of the figures recall the bas-reliefs of Khorsabad, which represent the eunuchs of the Ninevite palace. Among other stone monuments with which the excavations at Susa have enriched the Louvre Museum, there is a considerable series of large ovoid diorite blocks, similar to the famous _Caillou Michaux_, which is figured earlier in the book (page 34, fig. 21). The original name of these objects is _Kudurru_, which corresponds with the idea of “limit, boundary.” These are titles of rural properties given to important personages, or to temples, by the kings of Babylon. In addition to the inscriptions, which fix our attention, these _kudurru_ are covered with bas-reliefs of monstrous figures of gods and demons, under whose supervision the contract is placed, or who would punish those who should dare to change the object and its inscriptions. Those bas-reliefs, where the Babylonian divinities are seen accompanied by their totems, are only of mediocre workmanship, but the figures carved on them are exceedingly interesting and curious. At the top of these objects there is generally the figure of the celestial serpent rolled up or outstretched. The _kudurru_ found at Susa do not differ from those of Chaldæa, and are undoubtedly imported from that country.