Manuel Pereira; Or, The Sovereign Rule of South CarolinaAdams, F. Colburn (Francis Colburn)
General
Manuel Pereira; Or, The Sovereign Rule of South Carolina
Adams, F. Colburn (Francis Colburn)
African Americans -- Fiction; Biographical fiction; Pereira, Manuel -- Fiction; South Carolina -- Fiction
Copeland had received notice to hold himself in readiness, as his vessel
would be ready for sea the next morning. He was not long in getting his
few things in order, and when morning came he was on hand, prepared to
bound from the iron confines of the Charleston jail, like a stag from a
thicket. As he bade good-by to his fellow-prisoners in the morning,
he said, “This is my last imprisonment in Charleston. I have been
imprisoned in Savannah, but there I had plenty to eat, comfortable
apartments, and every thing I asked for, except my liberty. Never, so
long as I sail the water, shall I ship for such a port as this again.”
He requested to see Manuel, but being refused, upon the restraint of
orders, he left the jail. It was contrary to law; and thus in pursuing
his vocation within the limits of South-Carolina, his owners were
made to pay the following sum, for which neither they nor the man who
suffered the imprisonment received any compensation. “Contrary to Law.”
Schooner “Oscar Jones,” Captain Kelly, For William H. Copeland, Colored
Seaman. To Sheriff of Charleston District. 1852,
To Arrest, $2; Registry, $2, $4.00 To Recog. $1.31; Constable, $1, 2.31
To Commitment and Discharge, 1.00 To 15 Days' Jail Maintenance of Wm. H.
Copeland, at 80 cts. per day, 4.50 Received payment, $11.81 J. D--, Per
Charles E. Kanapeaux, Clerk.
God save the sovereignty of South Carolina, and let her mercy and
hospitality be known on earth!
CHAPTER XXIII. IMPRISONMENT OF JOHN PAUL, AND JOHN BAPTISTE PAMERLIE.
IN order to complete the four characters, as we designed in the outset,
we must here introduce the persons whose names fill the caption. The
time of their imprisonment was some two months later than Manuel's
release; but we introduce them here for the purpose of furnishing a
clear understanding of the scenes connected with Manuel's release.
Public-domain text, read in full here on John Shaqi.
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