This befell, as it chanced, during one of my early days on the Alpine
front, and the incident of men singing in a blizzard almost strong
enough to sweep them from their feet made no small impression on me at
the moment. It was my first experience of the kind. A week later I
should have considered it just as astonishing to have encountered,
under any conditions, an Alpino who was _not_ singing; for to him--to
all Italian soldiers, indeed--song furnishes the principal channel of
outward expression of the spirit within him. And what a spirit it is!
He sings as he works, he sings as he plays, he sings as he fights,
and--many a tale is told of how this or that comrade has been seen to
go down with a song on his lips--he sings as he dies. He soothes
himself with song, he beguiles himself with song, he steadies himself
with song, he exalts himself with song. It is not song as the German
knows it, not the ponderous marching chorus that the Prussian Guard
thunders to order in the same way that it thumps through its
goose-step; but rather a simple burst of song that is as natural and
spontaneous as the soaring lark’s greeting to the rising sun.
Discipline of any kind is more or less irksome to the high-spirited
Alpino, but he manages to struggle along under it with tolerable
goodwill so long as it is plain to him that the military exigencies
really demand it. But the one thing that he really chafes under is the
prohibition to sing. This is, of course, quite imperative when he is
on scouting or patrol-work, or engaged in one of the incessant
surprise attacks which form so important a feature of Alpine warfare.
He was wont to sing as he climbed in those distant days when he scaled
mountains for the love of it; and, somehow, a sort of reflex action
seems to have been established between the legs and the vocal chords
that makes it extremely awkward to work the one without the other. If
the truth could be told, indeed, probably not a few half-consummated
_coups de main_ would be found to have been nearly marred by a joyous
burst of “unpremeditated melody” on the part of some spirited Alpino
who succumbed to the force of habit.
Public-domain text, read in full here on John Shaqi.
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