Three or four times more in the quarter-hour that elapsed before the
heightening storm drove us to the shelter of a _rifugio_ the general
stopped men whose face or bearing implied that there was no song on
their lips or in their hearts, and in each instance it transpired that
something was wrong. One man confessed to having discarded his flannel
abdominal bandage a couple of days before, and was developing a severe
case of dysentery as a perfectly natural consequence of the chill
which followed; another had just been kicked by a passing mule; and a
third had received word that morning that his newly-born child was
dead and its mother dangerously ill. The two former were shoved none
too gently back into line with what appeared to be the regulation
prescription in such cases: “Serves you right for your carelessness”;
but I thought I saw a note slipped into the third man’s hand as the
general pressed it in sympathy and promised to see that leave should
be arranged for at once.
I was no less struck by the efficacy of this novel system of diagnosis
than by the illuminative example its workings presented of the
paternal attitude of even the highest of the Alpini officers toward
the least of the men under them.
But it is not only the buoyant Alpini who pour out their souls in
song. The Italian soldier, no matter from what part of the country he
comes or on what sector of the front he is stationed, can no more work
or fight without singing than he can without eating. Indeed, a popular
song that is heard all along the front relates how, for some reason or
other, an order went out to the army that there was to be no more
singing in the trenches, and how a soldier, protesting to his officer,
exclaimed, “But, captain, if I cannot sing I shall die of sadness; and
surely it is better that I should die fighting the enemy than that I
should expire of a broken heart!”
On many a drizzly winter morning, motoring past the painted Sicilian
carts which form so important a feature of the Italian transport on
the broken hills of the Isonzo front, I noted with sheer astonishment
that the drivers were far and away likelier to be singing than
swearing at the mules. To one who has driven mules, or even lived in a
country where mules are driven, I shall not need to advance any
further evidence of the Sicilian soldier’s love of song.
And on that stony trench-torn plateau of the Carso, where men live in
caverns under the earth and where the casualties are multiplied two-
or three-fold by the fragments of explosive-shattered rock; even
there, on this deadliest and most repulsive of all the battle-fronts
of Armageddon, the lilting melodies of sunny southern Italy,
punctuated, but never for long interrupted, by the shriek and
detonation of Austrian shells, are heard on every hand.
Public-domain text, read in full here on John Shaqi.
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