Mardi, and a voyage thither, Vol. 1 (of 2)Melville, Herman
PhilosophyPhilosophy
Mardi, and a voyage thither, Vol. 1 (of 2)
Melville, Herman
Adventure stories; Polynesia -- Description and travel -- Fiction
But what monsters of canoes! Would they devour an innocent voyager?
their great black prows curling aloft, and thrown back like trunks of
elephants; a dark, snaky length behind, like the sea-serpent’s train.
The prow of the foremost terminated in a large, open, shark’s mouth,
garnished with ten rows of pearly human teeth, curiously inserted into
the sculptured wood. The gunwale was ornamented with rows of rich
spotted Leopard and Tiger-shells; here and there, varied by others,
flat and round, and spirally traced; gay serpents petrified in coils.
These were imbedded in a grooved margin, by means of a resinous
compound, exhaling such spices, that the canoes were odoriferous as the
Indian chests of the Maldives.
The likeness of the foremost canoe to an elephant, was helped by a sort
of canopied Howdah in its stern, of heavy, russet-dyed tappa, tasselled
at the corners with long bunches of cocoanut fibres, stained red. These
swayed to and fro, like the fox-tails on a Tuscarora robe.
But what is this, in the head of the canoe, just under the shark’s
mouth? A grinning little imp of an image; a ring in its nose; cowrie
shells jingling at its ears; with an abominable leer, like that of
Silenus reeling on his ass. It was taking its ease; cosily smoking a
pipe; its bowl, a duodecimo edition of the face of the smoker. This
image looked sternward; everlastingly mocking us.
Of these canoes, it may be well to state, that although during our stay
in Odo, so many barges and shallops had touched there, nothing similar
to Media’s had been seen. But inquiring whence his sea- equipage came,
we were thereupon taught to reverence the same as antiquities and
heir-looms; claw-keeled, dragon-prowed crafts of a bygone generation;
at present, superseded in general use by the more swan-like canoes,
significant of the advanced stage of marine architecture in Mardi. No
sooner was this known, than what had seemed almost hideous in my eyes,
became merely grotesque. Nor could I help being greatly delighted with
the good old family pride of our host.
The upper corners of our sails displayed the family crest of Media;
three upright boars’ tusks, in an heraldic field argent. A fierce
device: Whom rends he?
All things in readiness, we glided away: the multitude waving adieu;
and our flotilla disposed in the following order.
First went the royal Elephant, carrying Media, myself, Jarl, and Samoa;
Mohi the Teller of Legends, Babbalanja, and Yoomy, and six vivacious
paddlers; their broad paddle-blades carved with the royal boars’ tusks,
the same tattooed on their chests for a livery.
Public-domain text, read in full here on John Shaqi.
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