Mardi, and a voyage thither, Vol. 1 (of 2)Melville, Herman
PhilosophyPhilosophy
Mardi, and a voyage thither, Vol. 1 (of 2)
Melville, Herman
Adventure stories; Polynesia -- Description and travel -- Fiction
At all times, even in the brooding noon-day, a gush of cool air came
hand-in-hand with the cool waters, that burst with a shout into the
palace of Donjalolo. And as, after first refreshing the king, as in
loyalty bound, the stream flowed at large through the glen, and bathed
its verdure; so, the blessed breezes of Omi, not only made pleasant the
House of the Afternoon; but finding ample outlet in its wide, open
front, blew forth upon the bosom of all Willamilla.
“Come let us take the air of Omi,” was a very common saying in the
glen. And the speaker would hie with his comrade toward the grotto; and
flinging himself on the turf, pass his hand through his locks, and
recline; making a joy and a business of breathing; for truly the
breezes of Omi were as air-wine to the lungs.
Yet was not this breeze over-cool; though at times the zephyrs grew
boisterous. Especially at the season of high sea, when the strong
Trades drawn down the cleft in the mountain, rushed forth from the
grotto with wonderful force. Crossing it then, you had much ado to keep
your robe on your back.
Thus much for the House of the Afternoon. Whither—after spending the
shady morning under the eastern cliffs of the glen—daily, at a certain
hour, Donjalolo in his palanquin was borne; there, finding new shades;
and there tarrying till evening; when again he was transported whence
he came: thereby anticipating the revolution of the sun. Thus dodging
day’s luminary through life, the prince hied to and fro in his
dominions; on his smooth, spotless brow Sol’s rays never shining.
CHAPTER LXXVIII.
Babbalanja Solus
Of the House of the Afternoon something yet remains to be said.
It was chiefly distinguished by its pavement, where, according to the
strange customs of the isle, were inlaid the reputed skeletons of
Donjalolo’s sires; each surrounded by a mosaic of corals,—red, white,
and black, intermixed with vitreous stones fallen from the skies in a
meteoric shower. These delineated the tattooing of the departed. Near
by, were imbedded their arms: mace, bow, and spear, in similar
marquetry; and over each skull was the likeness of a scepter.
First and conspicuous lay the half-decayed remains of Marjora, the
father of these Coral Kings; by his side, the storied, sickle-shaped
weapon, wherewith he slew his brother Teei.
Public-domain text, read in full here on John Shaqi.
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