Authors, American -- 19th century -- Biography; Feminists -- United States -- Biography; Fuller, Margaret, 1810-1850
This holy westward way, found of Columbus, broadened and brightened by
the Pilgrims, and become an ocean highway for the nations of the earth,
lay open to her. From its farther end came to her the loving voices of
kindred, and friends of youth. There she, a mother, could "show her
babe, and make her boast," to a mother of her own. There brothers,
trained to noble manhood through her care and labor, could rise up to
requite something of what they owed her. There she could tell the story
of her Italy, with the chance of a good hearing. There, where she had
sown most precious seed in the field of the younger generations, she
would find some sheaves to bind for her own heart-harvest.
And so the last days in Florence came. The vessel was chosen, and the
day of sailing fixed upon. Margaret's last letter, addressed to her
mother, is dated on the 14th of May.
We read it now with a weight of sorrow which was hidden from her. In the
light of what afterwards took place, it has the sweet solemnity of a
greeting sent from the borders of another world.
"FLORENCE, May 14, 1850.
"I will believe I shall be welcome with my treasures,--my husband
and child. For me, I long so much to see you! Should anything
hinder our meeting upon earth, think of your daughter as one who
always wished, at least, to do her duty, and who always cherished
you, according as her mind opened to discover excellence.
"Give dear love, too, to my brothers; and first, to my eldest,
faithful friend, Eugene; a sister's love to Ellen; love to my kind
and good aunts, and to my dear cousin E----. God bless them!
"I hope we shall be able to pass some time together yet, in this
world. But, if God decrees otherwise, here and hereafter, my
dearest mother,
"Your loving child,
"MARGARET."
Who is there that reads twice a sorrowful story without entertaining an
unreasonable hope that its ending may change in the reperusal? So does
one return to the fate of "Paul and Virginia," so to that of the "Bride
of Lammermoor." So, even in the wild tragedy of "Othello," seen for the
hundredth time, one still sees a way of escape for the victim; still, in
imagination, implores her to follow it. And when repeated representation
has made assurance doubly sure, we yield to the mandate which none can
resist, once issued, and say, "It was to be."
Public-domain text, read in full here on John Shaqi.
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