"Miss Thomas has accomplished a difficult task with as much good sense as good feeling. She presents the main facts of George Sand's life, extenuating nothing, and setting naught down in malice, but wisely leaving her readers to form their own conclusions. Everybody knows that it was not such a life as the women of England and America are accustomed to live, and as the worst of men are glad to have them live.... Whatever may be said against it, its result on George Sand was not what it would have been upon an English or American woman of genius."--_New York Mail and Express._ * * * * * "This is a volume of the 'Famous Women Series,' which was begun so well with George Eliot and Emily Brontë. The book is a review and critical analysis of George Sand's life and work, by no means a detailed biography. Amantine Lucile Aurore Dupin, the maiden, or Mme. Dudevant, the married woman, is forgotten in the renown of the pseudonym George Sand. "Altogether, George Sand, with all her excesses and defects, is a representative woman, one of the names of the nineteenth century. She was great among the greatest, the friend and compeer of the finest intellects, and Miss Thomas's essay will be a useful and agreeable introduction to a more extended study of her life and works."--_Knickerbocker._ * * * * * "The biography of this famous woman, by Miss Thomas, is the only one in existence. Those who have awaited it with pleasurable anticipation, but with some trepidation as to the treatment of the erratic side of her character, cannot fail to be pleased with the skill by which it is done. It is the best production on George Sand that has yet been published. The author modestly refers to it as a sketch, which it undoubtedly is, but a sketch that gives a just and discriminating analysis of George Sand's life, tastes, occupations, and of the motives and impulses which prompted her unconventional actions, that were misunderstood by a narrow public. The difficulties encountered by the writer in describing this remarkable character are shown in the first line of the opening chapter, which says, 'In naming George Sand we name something more exceptional than even a great genius.' That tells the whole story. Misconstruction, condemnation, and isolation are the penalties enforced upon the great leaders in the realm of advanced thought, by the bigoted people of their time. The thinkers soar beyond the common herd, whose soul-wings are not strong enough to fly aloft to clearer atmospheres, and consequently they censure or ridicule what they are powerless to reach. George Sand, even to a greater extent than her contemporary, George Eliot, was a victim to ignorant social prejudices, but even the conservative world was forced to recognize the matchless genius of these two extraordinary women, each widely different in her character and method of thought and writing....