Margaret Sanger: an autobiography.Sanger, Margaret
History
Margaret Sanger: an autobiography.
Sanger, Margaret
Birth control -- United States -- Biography; Sanger, Margaret, 1879-1966
Next to us was the huge bathroom, the floor and lower walls of
burnished, shining copper. In the center, raised on legs, stood a great
wooden tub with a top that closed down, and a hole for your neck. Five
or six basins were ranged around the room and, beside each, brush and
soap. You were supposed to scrub and scrub and then rinse by throwing
pans of water over you. Finally you entered the steaming tub to relax.
It was not etiquette to leave any trace of soap in the bath or any
evidence of its use, because everybody in the family soaked in that
water before the night was over—guests, hosts, and servants in order.
I sank gratefully on one of the mattresses borrowed for our comfort and
laid on the floor; the rest of the household slept on mats with wooden
blocks in place of pillows, a custom which allowed the ladies to keep
their coiffures intact for a week at a time. Through the frail
partitions we could hear the servants laughing and chatting until late
into the night, men and women together, carrying on their bathing as
though it were a function of eating.
Our days were tremendously busy, beginning early with the ringing of the
antiquated telephone on the wall. People came silently in rickshas and
departed after conversing with the Baron and Baroness.
Old Japan had extended esthetics into the realm of ordinary existence,
and undoubtedly had produced a thing of beauty. The gestures of ceremony
might have meant little, but they made delightful the arranging of any
affair whatever. The Japanese always greeted each other with a bow from
the waistline, hands gliding down to the knees. The difference between
one and another was so subtle that a foreigner could hardly distinguish
it, but it was there all the same. A particular mark of respect was the
triple bow, graduated according to the social rank—an inclination, a
slight pause, a deeper inclination, again a pause, and then down further
until the back was nearly horizontal.
Grant, who was very affectionate, had been accustomed to kiss me when we
met, whether it were in a restaurant, hotel, on the street, or anywhere
else for that matter. But he had to forego this salute in Japan when we
observed that kissing was a shock to Japanese sensibilities, and,
indeed, was considered immoral. Instead, he took over Japanese manners
and became marvelously courteous. Practically every time he spoke to me
he made the three bows, and unconsciously I soon found myself returning
them with equal formality.
Public-domain text, read in full here on John Shaqi.
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