Margarita's Soul: The Romantic Recollections of a Man of FiftyBacon, Josephine Daskam
General
Margarita's Soul: The Romantic Recollections of a Man of Fifty
Bacon, Josephine Daskam
Fiction
I was passing by a street-seller of scarabs, a treacherous-looking
wretch, whose rolling eyes glanced covetously at the scarab--better
than any of his--that I wore at my scarf-knot, and pressed against him
to avoid a great black with a tray of brass bowls and platters on his
head. Just ahead of me a lemonade-merchant uttered his wailing, minor
cry, and as the crowd jostled in the narrow, dirty lane, my eye was
caught by a coffee-coloured woman, a big Juno, with flashing teeth and
a neck like a bronze tower. Across her shoulders sat a naked baby who
held his balance by his two chubby hands buried in her thick black
hair, one leg dropping over each splendid breast. She caught my eye,
and laughed outright as the child kicked out with one fat foot and
struck the brasses on the tray so that it tipped and swayed
dangerously.
I stood there, lost in a maze of Cairo streets, and the babel of the
shrieking, blue-clad donkey-boys was the scream of gulls to my ears
and the sun on the swaying brass platters was the reflection of a
polished sun-dial. The turquoises on the scarab-seller's tray were
turquoises about Margarita's waist, the lemonade was borne by Caliban,
and the child that rode astride those strong shoulders had hair like
corn-silk burned in the sun and eyes as blue as any turquoise! For so
had she held her baby, walking with that free, noble stride, and so
she had laughed and met my eyes, and so the child had clutched her
hair, in the summer just passed.
So vivid was the impression that I stood, as I say, in a maze, and the
scarab-seller and he of the brass tray cursed me heartily as they
struggled for balance in the pushing, screaming, reeking crowd. How
meaningless that phrase, "real life!" Years and years of actual
happenings in my life have been less real than those seconds in the
Cairo streets, when down the alley-ways of sound and sight, across the
intricate network of that spongy, grey tissue in my skull, this tiny,
deathless, unimportant memory led my soul away from the present and
left me, an unconscious, stupid, mechanical toy, to block the Cairo
traffic, while I--the real I--lived far away. Truly the poets and the
children are our only realists, and Time and Space have fooled the
rest of us unmercifully.
Public-domain text, read in full here on John Shaqi.
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