Margarita's Soul: The Romantic Recollections of a Man of FiftyBacon, Josephine Daskam
General
Margarita's Soul: The Romantic Recollections of a Man of Fifty
Bacon, Josephine Daskam
Fiction
Was it because there were no work-baskets, spilling lace and bits of
ribbon, no photographs, no keepsakes, hideous perhaps, but dear for
what they represent, no worn girlhood's books, no shamefaced toys,
lingering from the nursery, no litter of any other member of her
family? Perhaps. Mme. Modjeska, then, and even now one of the greatest
actresses on our stage, called it an unwomanly room, but I am not
quite sure that this is precisely what she meant.
No, the most vivid impression the room could make upon me was one that
brings a reminiscent chuckle even to-day. As my eye fell on the
antique dressing-table, I seemed to see, suddenly and laughably,
Margarita, sweeping down the stairs, enveloped in a billowy
_peignoir_, her hair loose, her eyes flashing furiously, in her
extended finger and thumb, held as one would hold a noxious adder, a
thin navy-blue necktie.
"Is that yours?" she demanded tragically of her husband.
"Why, yes, I believe it is," said Roger, with the grave politeness
that years of intimacy could never take from him.
"I found it _on my dressing-table_!" she thundered, and her voice
echoed like an angry vault, "_on--my--dressing-table_!"
She dropped it like a toad at his feet, swept us all with the
lightning of her eyes, coldly, distastefully, and swam up the stairs,
an avenging goddess, deaf to Roger's matter-of-fact apology, blind to
Miss Jencks's deprecating blushes. As for me, so under the spell of
that voice have I always been, that I swear I thought her hardly
used--the darling vixen!
PART EIGHT
IN WHICH THE RIVER RUSHES INTO
PERILOUS RAPIDS
Come, my mother that carried me,
Make me to-night an olden spell!
Try if my witch wife loves the Sea,
Or she'll choose the waves or she'll choose for me,
Then hey, for heaven or ho, for hell!
Circle the Cross on the midnight sand,
Heap the fire and mutter the charm,
Call her out to ye, soul in hand,
Blind and bare to the moon she'll stand,
Then out to the sea or in to my arm!
_Sir Hugh and the Mermaiden._
CHAPTER XXVII
WE BRING OUR PEARL TO MARKET
I did not hear Margarita sing in opera till the night of her _debut_
in _Faust_. Roger, on the contrary, was allowed to attend the last
rehearsals: Margarita honestly wished for his criticism, which she
knew from the very fact of his utter aloofness from her professional
interests would be perfectly unbiased and sincere. It was not without
a secret thrill of pleasure through my disappointment that I
acquiesced in her decree; I knew that she would be nervous with me,
from my very sympathy with her.
I can see the _Opera_ now--the lights, the jewels, the moustaches, the
white shirt-bosoms, the lorgnettes, the fat women with programmes, the
great, shrouding curtain.
Public-domain text, read in full here on John Shaqi.
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