Margarita's Soul: The Romantic Recollections of a Man of FiftyBacon, Josephine Daskam
General
Margarita's Soul: The Romantic Recollections of a Man of Fifty
Bacon, Josephine Daskam
Fiction
Roger and he had what must be confessed was a quarrel (though the
newspaper accounts of a duel were, of course, absurd) over the
advisability of her singing privately for a young German princeling
whom Seidl was very anxious to honour--he was then introducing the
Wagnerian dramas into America and had not been long director of the
Metropolitan Opera House, New York. It all smoothed over and we agreed
to forget it, all of us, but Seidl's pride was hurt and Roger had done
what I had not seen him do for fifteen years--lost his temper badly.
He was not pleasant in a temper, old Roger, like all men of strong,
controlled natures, and Margarita learned a lesson that day that she
never forgot, I suppose. I believe if on the strength of that
impression he had carried her off bodily--flung her over his
saddle-bow, as it were, and ceased to respect her rights for
twenty-four hours, we should all have been spared much strain and
suffering. But he regretted his violence and told her so, which was
fatal, or so it seemed to me. There are occasions when not to take
advantage of a woman is to be unfair to her, and Margarita was very
much a woman.
Well, well, it's all over now, and we have no need to regret that we
did not try a different way. It may be we should have had to pay a
greater price--for nothing lacks its price-mark on life's counter,
more's the pity, and if we are deceived by long credit-accounts, the
more fools we!
CHAPTER XXVIII
ARABIAN NIGHTS IN ENGLAND
I had much to reconstruct that season in regard to Margarita. I had
found her once before, in Paris, no longer a child, but a woman; I
found her now no woman merely, but a woman of the world. It seems
incredible, indeed, and I have puzzled over it many an hour when the
demon of sciatica has clawed at my hip and Hodgson's faithful hands
have dropped fatigued from his ministrations. How she did it, how an
untrained, emotional little savage, with hands as quick to strike as
the paws of a cub lioness, with tongue as unbridled as the tongue of a
four-year-old, with no more religion than a Parisian _boulevardier_,
with not one-tenth the instruction of a London board-school child--how
such a creature became in two years an (apparently) finished product
of civilisation, I am at a loss to comprehend. That she did it is
certain. My own eyes have seen Boston Brahmins drinking her tea
gratefully; my own ears have heard New York fashionables babbling in
her drawing-room. As for London, she dominated one whole season, and
not to be able to bow to her, when she rode on her grey gelding of a
morning, was to argue oneself unbowed to! Paris can never forget her,
for did she not invent an entirely new _Marguerite_? And the Republic
of Art is not ungrateful. She would have been a social success in
Honolulu or Lapland, the witch!
Public-domain text, read in full here on John Shaqi.
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