Dime novels; England -- Fiction; Foundlings -- Fiction; Man-woman relationships -- Fiction; Popular literature
Drawing her skirts together, Margery left her retreat and approached
the group. As the men looked round and perceived her, she thought they
seemed alarmed and pained. She quickened her steps, and then the squire
came toward her.
“You must let me take you to the house, my dear,” he said hurriedly;
“your husband wishes it.”
“What is the matter? Some one is hurt! Cousin Sholto, don’t stop me! I
know now--it is Nugent!”
She pushed the squire’s trembling hand to one side, and with swift
steps approached the group. The men fell back in silence, and in an
instant she was on her knees beside a silent, prostrate form with face
of deathly hue.
“Nugent!” she cried, bending over him, in agony. Then, as he still lay
perfectly still, she looked round wildly. “What is it? Fetch a doctor
quickly--your master is hurt!”
The man Marshall stepped forward.
“We’ve sent for the doctor, my lady. It was done in an instant; the
tree swerved and brought his lordship down with it. We’ve just dragged
it off his body. He were sensible at first, and asked us to keep you
away; but he’s fainted now.”
Margery scarcely heard the explanation; with a heart full of dread she
was bending over the pale face, breathing words of agony and tenderness
that fell on silent ears. The squire came to her and tried to draw her
away; but she would not stir. They brought brandy from the house, and a
mattress with pillows on which to carry the injured man; but all were
afraid to touch him. Then, when her misery, her despair, was greatest,
the heavy lids were raised, and she met the gaze of the deep, dark
eyes. The white lips trembled and moved; she bent her head to catch the
whisper.
“It--is--nothing--my darling. Take me to----”
The labored speech died away in another faint; and, as she saw his
weakness and suffering, Margery rose to her feet with courage born of
despair.
“Carry your master to the house,” she said, steadily, never taking her
eyes from his face.
The men stooped, and, with tender, gentle hands lifted the inanimate
form on to the mattress; then, with slow, even steps, they carried
him through the sunlit gardens to the house. It was not far, yet by
the time they reached the entrance the doctor of the village was seen
riding furiously up the avenue. He leaped from his horse, and was at
the wounded man’s side in an instant. Margery turned her eyes from the
pale face of her husband and fixed them upon the doctor. As he scanned
the earl’s drawn countenance, her heart seemed to stand still. In that
moment she was conscious of nothing but an agony of dread, remorse and
pain so terrible that it almost overpowered her.
“Carry him into a room on the ground floor,” said the doctor,
decisively. “We must not risk the stairs.”
They carried him through the hall into the room where long before he
had sat by Enid’s couch. Margery walked with them, though what power
enabled her to move she knew not, for all life seemed dead within her.
Public-domain text, read in full here on John Shaqi.
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