A few readers perhaps, in looking over these hints, will wonder how it could have been practicable, without tediousness, or remitting in any degree the interest of the story, to have filled, from these slight sketches, a number of pages, more considerable than those which have been already presented. But, in reality, these hints, simple as they are, are pregnant with passion and distress. It is the refuge of barren authors only, to crowd their fictions with so great a number of events, as to suffer no one of them to sink into the reader’s mind. It is the province of true genius to develop events, to discover their capabilities, to ascertain the different passions and sentiments with which they are fraught, and to diversify them with incidents, that give reality to the picture, and take a hold upon the mind of a reader of taste, from which they can never be loosened. It was particularly the design of the author, in the present instance, to make her story subordinate to a great moral purpose, that “of exhibiting the misery and oppression, peculiar to women, that arise out of the partial laws and customs of society.—This view restrained her fancy.”[16] It was necessary for her, to place in a striking point of view, evils that are too frequently overlooked, and to drag into light those details of oppression, of which the grosser and more insensible part of mankind make little account. [16] See author’s preface. [Godwin’s note] THE END.