I remained with her all day. Some of the sisters came to see her. One
of them covered her face with a napkin, but as soon as she had gone, I
uncovered it again. Melanie came and spent the night by the bedside
with me. When she had closed the window she lit the big lamp, "so that
Sister Desiree-des-Anges should not be in the dark," she said.
A week afterwards Ox Eye came to the kitchen. She told me to get ready
to go the same day. In the hollow of her hand she held two gold
pieces, which she put side by side on the corner of the oven, and,
touching one after the other with her finger, she said, "Our Mother
Superior sends you forty francs." I did not want to go away without
saying good-bye to Colette and to Ismerie, whom I had often seen at the
other side of the lawn; but Melanie assured me that they didn't care
for me any more. Colette could not understand why I was not married
yet, and Ismerie could not forgive me for being so fond of Sister
Marie-Aimee.
Melanie went to the gate with me. As we passed the old bench, I saw
that one of its legs was broken, and that one end of it had fallen into
the grass. At the gate I found a woman waiting. Her eyes were hard.
She said, "I am your sister." I didn't recognize her. It was twelve
years since I had seen her. Directly we got outside she caught hold of
my arm, and in a voice as hard as her eyes, she asked me how much money
I had. I showed her the two gold pieces which I had just received.
Then she said, "You will do better to remain in the town, where you
will find it easier to get something to do." As we walked on she told
me she was married to a gardener in the neighbourhood, and that she
didn't intend to give herself any particular trouble over me. We got
to the railway station. She took me on to the platform because she
wanted me to help her carry some parcels. She said "good-bye" when her
train went off, and I remained there and watched it go. Almost
immediately another train stopped. The railway men ran up and down the
platform calling to the passengers for Paris to cross over. In that
one moment I saw Paris with its great houses like palaces, with roofs
so high that they were lost in the clouds. A young man bumped into me.
He stopped and said, "Are you going to Paris, mademoiselle?" I
scarcely hesitated, and said, "Yes; but I have no ticket." He held out
his hand. "Give me the money," he said, "and I will go and get it for
you." I gave him one of my two gold coins, and he ran off. I put the
ticket and the change in copper which he had brought me into my pocket,
went across the line with him, and climbed into the train.
The young man stood at the carriage door for a minute, and went off,
turning back once as he went. His eyes were full of gentleness, like
those of Henri Deslois.
The train whistled once, as though to warn me, and as it moved off it
whistled a second time, a long whistle like a scream.
THE END
AFTERWORD
Public-domain text, read in full here on John Shaqi.
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