Marion Harland's Autobiography: The Story of a Long LifeHarland, Marion
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Marion Harland's Autobiography: The Story of a Long Life
Harland, Marion
Authors, American -- 19th century -- Biography; Harland, Marion, 1830-1922
He had a piece of new music for me to-night, and we fell to work with
piano and flute soon after my father’s exit. It was not difficult. The
songs and duets that followed were familiar to us both. We chatted
by the glowing grate when we left the piano—gayly and lightly, of
nothing in particular—the inconsequent gossip of two old and intimate
acquaintances that called for no effort from either.
I mention this to show that I carried a careless spirit and a light
heart with me, as I went off in the direction of my bedroom, having
extinguished the hanging lamp in the hall, and taking one of the lamps
from the parlor to light myself bedward.
It was a big, square Colonial house, with much waste of space in the
matter of halls and passages. The entrance-hall on the first floor was
virtually a reception-room, and nearly as large as any apartment on
that level. It was cut across the left side by an archway, filled with
Venetian blinds and door. Beyond these was a broad, easy stairway,
dropping, by a succession of landings, to the lower from the upper
story. Directly opposite the front door was a second and narrower arch,
the door in which was, likewise, of Venetian slats. This led to the
rooms at the back of the house. The plan of the second floor was the
same. On this eventful night I passed through the smaller archway,
closing the door behind me. It had a spring latch that clicked into
place as I swung it to. The bedroom I shared with my sister, who was
not at home that night, was directly across the passage from that
occupied by our parents. A line of light under their door proved that
they were still up, and I knocked.
“Come in!” called both, in unison.
My mother, wrapped in her dressing-gown, lay back in her rocking-chair,
her book closed upon her finger. My father had laid aside his coat, and
stood on the rug, winding his watch.
“I was hoping that you would look in,” he said. “I wanted to ask what
that new piano-and-flute piece is. I like it!”
We exchanged a few sentences on the subject; I kissed both good-night,
and went out into the hall, humming, as I went, the air that had caught
his fancy.
The lamp in my hand had two strong burners. Gas had not then been
introduced into private dwellings in Richmond. We used what was sold as
“burning fluid,” in illuminating our houses—something less gross than
camphene or oil, and giving more light than either. I carried the lamp
in front of me, so that it threw a bright light upon the door across
the passage, here a little over six feet wide. As I shut the door of my
mother’s room, I saw, as distinctly as if by daylight, a small woman in
gray start out of the opposite door, glide noiselessly along the wall,
and disappear at the Venetian blinds giving upon the big front hall.
I have reviewed that moment and its incident a thousand times, in the
effort to persuade myself that the apparition was an optical illusion
or a trick of fancy.
Public-domain text, read in full here on John Shaqi.
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