Marion Harland's Autobiography: The Story of a Long LifeHarland, Marion
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Marion Harland's Autobiography: The Story of a Long Life
Harland, Marion
Authors, American -- 19th century -- Biography; Harland, Marion, 1830-1922
I forget the text of the sermon that followed the anthem and the
prayer. I but know that neither it, nor the introduction, had any
relevancy to the “occasion.” Our friend became a brilliant speaker in
later life. Now, he was no more sophomoric than are nine-tenths of
seminary students. But as he went on, we—in the slang of this era—began
to sit up and take notice; for with dexterity remarkable in a tyro, he
switched off from the main line into a by-road that led, like the paths
of glory, to the grave. He had fine feeling and a lively imagination,
and the scene and the music had laid hold upon both. As he confessed,
subsequently, he surprised himself by his intimate acquaintance
with the departed brother. He dwelt upon his fidelity to duty, his
devotion to the Church of his love, and what he had done for her best
interests. Singling out, as by divination, the widow, whose long crêpe
veil billowed stormily with audible sobs, he referred tenderly to her
loneliness, and committed her and the fatherless children to the
Great Father and Comforter of all. By this time the congregation was a
seething mass of emotion. Fluttering handkerchiefs, sighs that swept
the church like fitful breezes, and suppressed wails from the central
block of reserved seats, drowned the feeling peroration, but we guessed
the purport from the speaker’s face and gestures.
As he sat down, the audience arose, as one woman, and broke into a
funeral chant never written in any music-book, and in which the choir,
who sang by note, took no part:
“We’ll pass over Jordan, O my brothers, O my sisters! De water’s chilly
an’ cold, but Hallelujah to de Lamb! Honor de Lamb, my chillun, honor
de Lamb!”
This was shouted over and over, with upraised arms at one portion, and,
as the refrain was repeated, all joined hands with those nearest to
them and shook from head to foot in a sort of Dervish dance, without,
however, raising the feet from the floor. It was such an ecstatic
shiver as I saw thirty-odd years thereafter, when a Nubian dancer gave
an exhibition in a private house in the suburbs of Jerusalem.
I shall have more to say of that chant presently. Return we to the
orator of the occasion, whose extemporaneous “effort” had stirred up
the pious tumult.
As soon as his share of the service was over, he slipped out of the
box-pulpit and sidled through the throng to the corner where we were
grouped, watching for a chance to make our exit without attracting
the attention of the worshippers. He had just reached us when the
quick-eyed, fleet-footed deacon was at his side. We overheard what
passed between them.
“Brer W., suh, I come to thank you in the name o’ de bereaved fam’ly of
de dear deceasted, suh, for yo’ powerful sermon dis arternoon. Nothin’
could ’a’ been better an’ mo’ suitabler. Dey all agree on dat ar’
p’int, suh. Every one on ’em is _puffickly_ satisfied! You couldn’t ’a’
done no better, suh, ef you ’a’ had a year to get ready in.”
Public-domain text, read in full here on John Shaqi.
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