Marion Harland's Autobiography: The Story of a Long LifeHarland, Marion
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Marion Harland's Autobiography: The Story of a Long Life
Harland, Marion
Authors, American -- 19th century -- Biography; Harland, Marion, 1830-1922
“_My very dear Friend_,—I wish you were here this morning!
I long to talk with you. There are many things I cannot
commit to paper, or of which I might be ashamed as soon as
they were written. There are no short-hand and long-tongued
reporters at our face-to-face confabulations.
“Of one thing I will give you a hint: Have you any
recollection of a certain MS., portions of which were read
in your hearing last spring? I should not be surprised if
you were to hear something of it before long. Keep your eyes
upon the papers for a few weeks, and if you see nothing that
looks like a harbinger of the advent, just conclude that
I have changed my mind at the last gasp and recalled it.
_For it has gone out of my hands!_ After the appearance of
anything that looks that way, I unseal your mouth.
“Seriously, I have much pending upon this venture. The
success of the book may be the opening of the path I cannot
but feel that Providence has marked out for me.
“As it is a Virginia story, Southerners should buy it, if it
has no other merit. My misgivings are grave and many; but
my advisers urge me on, and notices of fugitive articles
that have appeared in Northern and Southern papers have
inoculated me with a little confidence in the wisdom of
their counsel.
“I had not meant to say this, or, indeed, to mention the
matter at all, but as the day of publication draws near, I
am, to use an expressive Yankeeism—‘fidgety.’
“If anything I have said savors of undue solicitude for the
bantling’s welfare, recollect that I am the mother. One
thing more: I shall have nothing to do with advertisements.
If they laud the work too highly, bear in mind that it is
‘all in the way of trade,’ and that booksellers will have
their way.
“Our ‘Musical Molasses Stew’ came off last night. We had a
grand ‘time!’ Violin, flute, guitar, piano—all played by
masculine amateurs, and a chorus of men’s voices. It was
‘nae sae bad,’ as the Scotch critic said of Mrs. Siddons’s
acting. The same might be said of the real frolic of pulling
the treacle. My partner was a young Nova Scotian—‘Blackader’
by name—an intelligent, agreeable, and versatile youth
who entered gloriously into the spirit of the occasion.
He played upon the piano, sang treble, tenor, and bass
by turns, and pulled and laughed with me until he had no
strength left.”
I was but feebly convalescent from a brief illness when, chancing to
pick up the latest number of _Godey’s Magazine_, and fluttering the
leaves aimlessly, my eyes rested upon a paragraph in the “Editor’s
Table.”
“Will the author of ‘Marrying Through Prudential Motives’ send her
address to the editor?”
Public-domain text, read in full here on John Shaqi.
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