Marion Harland's Autobiography: The Story of a Long LifeHarland, Marion
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Marion Harland's Autobiography: The Story of a Long Life
Harland, Marion
Authors, American -- 19th century -- Biography; Harland, Marion, 1830-1922
Not that I deceived myself, for one mad hour, with the fancy that I
could ever gain the right to stand for one beatific moment on a level
with the immortals whom I worshipped. In the first flush of my petty
triumph, I felt my limitations. The appreciation of these has grown
upon me with each succeeding year. “Fred” Cozzens, the “Sparrowgrass”
of humorous literature, said to me once when I expressed something of
this conviction:
“Yet you occupy an important niche.”
I replied in all sincerity: “I know my place. But the niche is small,
and it is not high up. All that I can hope is to fill it worthily, such
as it is.”
The history of one bulky packet of letters takes me back to the orderly
progress of my story, and to the most singular and romantic episode of
that first year of confessedly literary life.
_Alone_ had been out in the world about three months, when I received
a letter from a stranger, postmarked “Baltimore,” and bearing the
letter-head of a daily paper published in that city. The signature was
“James Redpath.” The writer related briefly that, chancing to go into
Morris’s book-store while on a visit to Richmond, he had had from the
publisher a copy of my book, and read it. He went on to say:
“It is full of faults, as you will discover for yourself
in time. Personally, I may remark, that I detest both your
politics and your theology. All the same, you will make
your mark upon the age. In the full persuasion of this, I
write to pledge myself to do all in my power to forward your
literary interests. I am not on the staff of the Baltimore
paper, although now visiting the editor-in-chief. But I have
influence in more than one quarter, and you will hear from
me again.”
I laid the queer epistle before my father, and we agreed that my
outspoken critic was slightly demented. I was already used to odd
communications from odd people, some from anonymous admirers, some from
reviewers, professional and amateur, who sought to “do me good,” after
the disinterested style of the guild.
Public-domain text, read in full here on John Shaqi.
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