Marion Harland's Autobiography: The Story of a Long LifeHarland, Marion
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Marion Harland's Autobiography: The Story of a Long Life
Harland, Marion
Authors, American -- 19th century -- Biography; Harland, Marion, 1830-1922
The Virginia cousin was cordially welcomed to the cradle of her
foremothers, and a warm attachment grew up between me and each member
of the two households. My cousin Francis had built a modern house upon
a corner of the homestead grounds, and I was as happily at home there
as in the original nest.
Another adopted home—and in which I spent more time than in all the
rest put together—was that of my cousin, Mrs. Long, “the prettiest of
the three Lizzies” referred to in one of my letters. Her mother, my
father’s favorite relative, had died since my last visit to Boston.
Her daughter was married at her death-bed. She was a beautiful and
intelligent woman, wedded to a man of congenial tastes who adored
her. The intimacy of this one of our Yankee cousins and ourselves
began before Mea and I had ever seen her. My sister and “Lizzie” were
diligent correspondents from their school-days. To a chance remark
of mine relative to their letters, I owe one of the most stable
friendships that has blessed my life.
We sisters were in the school-room at recess one day when I was
fourteen, Mea sixteen. I was preparing a French exercise for M.
Guillet, Mea writing to Boston. We had the room to ourselves for the
time. My sister looked up from her paper to say:
“What shall I say to Lizzie for you?”
“Give her my love, and tell her to provide me with a correspondent as
charming as herself.”
In her reply Lizzie begged leave to introduce a particular friend of
her own, “intelligent and lovable—altogether interesting, in fact.”
This friend had heard her talk of her Southern cousins and wished
to know them; but I must write the first letter. I caught at the
suggestion of what commended itself to me as adventure, and it was an
epistolary age. Letters long and numerous, filled with details and
disquisitions, held the place usurped by telephone, telegraph, and
post-cards. We had time to write, and considered that we could not put
it to a better purpose. So the next letter from my sister to my cousin
contained a four-pager from me, addressed to “Quelqu’une.” I gave fancy
free play in conversing with the unknown, writing more nonsense than
sober reason. I set her in the chair opposite mine, and discoursed _at_
her of “divers sayings.” If not
“Of ships and shoes and sealing-wax
And cabbages and kings”—
of wars and rumors of wars, and school duties, and current literature.
In due time I had a reply in like strain, but to my consternation,
written in a man’s hand, and signed “Quelqu’un.” He apologized
respectfully for the ambiguous terms of the introduction that had led
me into a mistake as to his sex, and hoped that the silver that was
beginning to stipple his dark hair would guarantee the propriety of a
continued correspondence.
“Time was,” he mused, “when I could conjugate _Amo_ in all its moods
and tenses. Now I get no further than _Amabam_, and am constrained to
confess myself in the tense at which I halt.”
Public-domain text, read in full here on John Shaqi.
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