Marion Harland's Autobiography: The Story of a Long LifeHarland, Marion
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Marion Harland's Autobiography: The Story of a Long Life
Harland, Marion
Authors, American -- 19th century -- Biography; Harland, Marion, 1830-1922
During this memorable stay in New York I met Bayard Taylor. At the
conclusion of his first call, I rushed to my desk and wrote to my
sister:
“He has a port like Jove.
“‘Nature might stand up
And say to all the world: “‘This is a MAN!’”’”
For once my ideal did not transcend the reality. Would that I could say
it of all my dream-heroes and heroines! At his second call, Mr. Taylor
was accompanied by Richard Henry Stoddard. At his first, he brought
Charles Frederick Briggs, journalist and author, whose best-known
book, _Harry Franco_, I had read and liked. I met him but once. Mr.
Taylor honored me with his friendship until his lamented death. My
recollections of him are all pleasant.
We met seldom, but our relations were cordial; the renewal of personal
association was ever that of friends who liked and understood each
other. I reckoned it a favor that honored me, that his widow accepted
me as her husband’s old acquaintance, and that his memory has drawn us
together in bonds of affectionate regard.
Thomas Bailey Aldrich was then (in 1855) a mere stripling, yet already
famous as the author of _Babie Bell_ and _Elsinore_, poems that would
have immortalized him had he not written another line. I came to know
him well during my Northern sojourn. His charming personality won
hearts as inevitably as his genius commanded admiration. Halleck’s
hackneyed eulogy of his early friend might be applied, and without
dissent, to the best-belovéd of our later poets. To know him was
to love him. The magnetism of the rarely-sweet smile, the frank
sincerity of his greeting, the direct appeal of the clear eyes to the
brother-heart which, he took for granted, beat responsive to his, were
irresistible, even to the casual acquaintance. His letters were simply
bewitching—as when I wrote to him after each of us had grown children,
asking if he would give my youngest daughter the autograph she coveted
from his hand.
He began by begging me to ask him, the next time I wrote, for something
that he _could_ do, not for what was impossible for him to grant. He
had laid it down as a rule, not to be broken under any temptation,
whatsoever, that he would never give his autograph.
“If I could make an exception in the present case, you
know how gladly I would do it, only to prove that I am
unalterably your friend,
“THOMAS BAILEY ALDRICH.”
He graced whatever he touched, and made the commonplace poetic. The
ineffable tenderness and purity of his verse were the atmosphere in
which the man lived and moved and breathed. The mystic afflatus of the
born poet clothed him, as with a garment.
Public-domain text, read in full here on John Shaqi.
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