Marion Harland's Autobiography: The Story of a Long LifeHarland, Marion
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Marion Harland's Autobiography: The Story of a Long Life
Harland, Marion
Authors, American -- 19th century -- Biography; Harland, Marion, 1830-1922
That was the old-fashioned form of asking strangers to take bit and sup
and bed with us. We made good the words, too. The “home” was theirs as
truly as it was ours. The Convention was advertised to last ten days.
When the time was nearly expired, the extraordinary success of the
experiment induced the projectors to extend the time to a month. Mr.
Root was for removing to a hotel, but we arose up in arms and forbade
it. His bonhomie, intelligence, and general attractiveness of manner
and disposition had endeared him to us all. We hailed as a reprieve the
postponement of the date of departure. He had never seen a Virginia
Christmas, and here was a special providence he must not overlook.
Household machinery moved as if he had not been there. He entered
jovially into plans, and connived at confidences—the necessary deceits
that are to be condoned by agreeable surprises in the fulness of time.
When the personage whom Mea had long ago dubbed “The Young Evangelist,”
appeared upon the scene a week in advance of the holiday, and spent
three-fourths of each day under our hospitable roof—a state of affairs
that evidently was no new thing—the Professor took in the situation
without the quiver of an eyelash, and asked never a question. He did
more to prove how cordially he was one with the family. Discovering,
in the course of the first evening after the new arrival had enlarged
our circle, that he had an exceptionally fine voice, and knew how to
use it, he pressed him eagerly into service as “the basso he had been
longing for,” and the two sang themselves into each other’s good graces
inside of twenty-four hours.
I had had a cold for a fortnight, and I made the most of my
demi-semi-invalidism when there were sessions of the Convention at
uncanny hours, and secured, instead, quiet evenings at home. All of
which was transparent to our Professor, as I suspected then, and knew
subsequently. He did not disturb a tête-à-tête one December afternoon
by bringing down into the parlor a freshly written sheet of music
he wished to try on the piano. His quartette clustered about the
instrument at his summons, and the hymn was sung over and over. I sat
by the fire and listened. At the third repetition, I asked:
“The music is yours, but where did you get the words?”
Mr. Root answered that his mother had clipped them from a Western
paper, and handed them to him. The music fitted itself to them in his
mind at the first reading. He struck the chords boldly in saying it,
and the four rendered the whole hymn with spirit.
“I am no prophetess,” I commented, “nor the daughter of a prophet; but
I predict that that will be the most popular of your compositions.
It has all the elements of life, and a long life, in it. Once more,
please!”
They sang it with a will:
Public-domain text, read in full here on John Shaqi.
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