Marion Harland's Autobiography: The Story of a Long LifeHarland, Marion
History
Marion Harland's Autobiography: The Story of a Long Life
Harland, Marion
Authors, American -- 19th century -- Biography; Harland, Marion, 1830-1922
A boiled ham had the place of honor at one end of the board, built
out with loose planks to stretch from the yawning fireplace, bounding
the lower end of the big kitchen, to Mammy’s room at the other. My
mother had lent tablecloth and crockery to meet the demands of the
company. She had, of course, furnished the provisions loading the
planks. A shoulder balanced the ham, and side-dishes of sausage, chine,
spareribs, fried chicken, huge piles of corn and wheat bread, mince and
potato pies, and several varieties of preserves, would fill every spare
foot of cloth when the hot things were in place. Floral decorations
of feasts would not come into vogue for another decade and more, but
I threw the sable corps of workers into ecstasies of delighted wonder
by instructing Spotswood, Gilbert, and a stableman to tack branches of
pine and cedar along the smoke-browned rafters and stack them in the
corners.
“Mos’ as nice as bein’ in de woods!” ejaculated the laundress, with an
audible and long-drawn sniff, parodying, in unconscious anticipation,
Young John Chivery’s—“I feel as if I was in groves!”
It was nine o’clock before the ostensible business of the evening
began. Boards, covered with straw, were the base of the mighty pyramid
of corn in the open space between the kitchen-yard and the stables.
Straw was strewed about the heap to a distance of twenty or thirty
feet, and here the men of the party assembled, sitting flat on the
padded earth. The evening was bland and the moon was at the full. About
the doors of kitchen and laundry fluttered the dusky belles who had
accompanied the shuckers, and who would sit down to supper with them.
Their presence was the inspiration of certain “topical songs,” as we
would name them—sometimes saucy, oftener flattering. As dear Doctor
Primrose hath it, “There was not much wit, but there was a great deal
of laughter, and that did nearly as well.”
This was what Mea and I whispered to each other in our outlook at the
window of our room that gave directly upon the lively scene. We had sat
in the same place for seven successive corn-shuckings, as we reminded
ourselves, sighing reminiscently.
The top of the heap of corn was taken by the biggest man present and
the best singer. From his eminence he tossed down the hooded ears to
the waiting hands that caught them as they hurtled through the air,
and stripped them in a twinkling. As he tossed, he sang, the others
catching up the chorus with a will. Hands and voices kept perfect time.
One famous corn-shuckers’ song was encored vociferously. It ran, in
part, thus:
“My cow Maria
She fell in de fire.
_Chorus_
“Go de corn! Go de corn!
“I tell my man Dick
To pull ’er out quick.
(Go de corn!)
“And Dick he said,
‘Dis cow done dade!’
(Go de corn!)”
(Being of an economic turn of mind, the owner of deceased Maria
proceeded to make disposition of her several members:)
Public-domain text, read in full here on John Shaqi.
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