Her form seemed suddenly enveloped in translucent light. She was
oblivious to everything but the rapturous moment.
Clad in the fatal satin skirt of the Doña Maria's little dead sister;
about her throat, the coveted necklace of opals, and, draping her
beautiful head, the filmy yellow wedding lace of her mother, she danced
as she never danced before. She seemed a marvelous apparition, freed
from a haunted chamber of the Alhambra. With every step, with every
movement of the palpitating figure, with every droop of the deep-fringed
eyelids and every fling of the glancing arms, the ecstatic passion of
her young life was manifest.
Unconsciously she imparted to the dance of her nation the tragic
possibilities of her nature.
Forgetting all restraint, all method, she abandoned her liberated body
to the emotions of her throbbing soul.
Long afterward, all remembered how she had swayed the great house into
irresistible tumult; then suddenly had floated mysteriously away, lost
in the dazzling retreat of the señoritas.
The pageant terminated with a superb tableau, symbolizing the end of the
prolific rose season.
At Easter, and for a number of weeks after, nature grows prodigal. Then
comes a lull. The roses have exhausted themselves. The brilliant
carnival is over, and a number of weeks must now elapse before the vines
and bushes gather strength to flower again.
With an appropriate accordance to reality, the closing tableau
represented, with poetic significance, the return of Spring, accompanied
by wild flowers and roses, to the Magic Cañon.
From the front of the garden the brilliant procession wound upward in
tiers of harmonious color, until, far above in the mountains, the
Silver Harlequin and Spring stood close to the entrance of the Magic
Cañon. From the heart of this enchanted spot all had issued--a divine
secret; all were again returning to sleep until nature bid them once
more arouse. This last magnificent spectacle was glorified by strong
rose lights; while from above a silent rain of variegated rose petals
fell like a soothing benediction.
When the curtain was at last down, the artistic and financial success of
the pageant was the theme of the entire community.
The profits of the matinée, to be given the next afternoon, would more
than defray expenses, and the proceeds of this victorious night would be
safe.
Ethel and her able assistants were happy with excitement. Upon the now
demoralized stage they were receiving congratulations from throngs of
friends. Ethel stood like a delighted child between her father and the
rector, when Mrs. Sanderson approached to utter the pretty things she
always said so well.
At her side stood Mariposilla, flushed and submissive to the woman's
bold caresses.
Public-domain text, read in full here on John Shaqi.
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