But now Mr. Beard has intimated a moment ago, and so has Sir
Purdon-Clarke also, that the artist, the illustrator, does not often
get the idea of the man whose book he is illustrating. Here is a very
remarkable instance of the other thing in Mr. Beard, who illustrated a
book of mine. You may never have heard of it. I will tell you about it
now—A Yankee in King Arthur's Court.
Now, Beard got everything that I put into that book and a little more
besides. Those pictures of Beard's in that book—oh, from the first
page to the last is one vast sardonic laugh at the trivialities, the
servilities of our poor human race, and also at the professions and
the insolence of priest-craft and king-craft—those creatures that make
slaves of themselves and have not the manliness to shake it off. Beard
put it all in that book. I meant it to be there. I put a lot of it there
and Beard put the rest.
That publisher of mine in Hartford had an eye for the pennies, and he
saved them. He did not waste any on the illustrations. He had a very
good artist—Williams—who had never taken a lesson in drawing. Everything
he did was original. The publisher hired the cheapest wood-engraver he
could find, and in my early books you can see a trace of that. You can
see that if Williams had had a chance he would have made some very good
pictures. He had a good heart and good intentions.
I had a character in the first book he illustrated—The Innocents Abroad.
That was a boy seventeen or eighteen years old—Jack Van Nostrand—a New
York boy, who, to my mind, was a very remarkable creature. He and I
tried to get Williams to understand that boy, and make a picture of Jack
that would be worthy of Jack.
Jack was a most singular combination. He was born and reared in New York
here. He was as delicate in his feelings, as clean and pure and refined
in his feelings as any lovely girl that ever was, but whenever he
expressed a feeling he did it in Bowery slang, and it was a most curious
combination—that delicacy of his and that apparent coarseness. There
was no coarseness inside of Jack at all, and Jack, in the course of
seventeen or eighteen years, had acquired a capital of ignorance that
was marvellous—ignorance of various things, not of all things. For
instance, he did not know anything about the Bible. He had never been
in Sunday-school. Jack got more out of the Holy Land than anybody else,
because the others knew what they were expecting, but it was a land of
surprises to him.
Public-domain text, read in full here on John Shaqi.
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