A lot of accounts have been settled here tonight for me; I have held grudges against some of these people, but they have all been wiped out by the very handsome compliments that have been paid me. Even Wayne MacVeagh—I have had a grudge against him many years. The first time I saw Wayne MacVeagh was at a private dinner-party at Charles A. Dana's, and when I got there he was clattering along, and I tried to get a word in here and there; but you know what Wayne MacVeagh is when he is started, and I could not get in five words to his one—or one word to his five. I struggled along and struggled along, and—well, I wanted to tell and I was trying to tell a dream I had had the night before, and it was a remarkable dream, a dream worth people's while to listen to, a dream recounting Sam Jones the revivalist's reception in heaven. I was on a train, and was approaching the celestial way-station—I had a through ticket—and I noticed a man sitting alongside of me asleep, and he had his ticket in his hat. He was the remains of the Archbishop of Canterbury; I recognized him by his photograph. I had nothing against him, so I took his ticket and let him have mine. He didn't object—he wasn't in a condition to object—and presently when the train stopped at the heavenly station—well, I got off, and he went on by request—but there they all were, the angels, you know, millions of them, every one with a torch; they had arranged for a torch-light procession; they were expecting the Archbishop, and when I got off they started to raise a shout, but it didn't materialize. I don't know whether they were disappointed. I suppose they had a lot of superstitious ideas about the Archbishop and what he should look like, and I didn't fill the bill, and I was trying to explain to Saint Peter, and was doing it in the German tongue, because I didn't want to be too explicit. Well, I found it was no use, I couldn't get along, for Wayne MacVeagh was occupying the whole place, and I said to Mr. Dana, “What is the matter with that man? Who is that man with the long tongue? What's the trouble with him, that long, lank cadaver, old oil-derrick out of a job—who is that?” “Well, now,” Mr. Dana said, “you don't want to meddle with him; you had better keep quiet; just keep quiet, because that's a bad man. Talk! He was born to talk. Don't let him get out with you; he'll skin you.” I said, “I have been skinned, skinned, and skinned for years, there is nothing left.” He said, “Oh, you'll find there is; that man is the very seed and inspiration of that proverb which says, 'No matter how close you skin an onion, a clever man can always peel it again.'” Well, I reflected and I quieted down. That would never occur to Tom Reed. He's got no discretion. Well, MacVeagh is just the same man; he hasn't changed a bit in all those years; he has been peeling Mr. Mitchell lately. That's the kind of man he is.