Market Harborough, and Inside the BarWhyte-Melville, G. J. (George John)
General
Market Harborough, and Inside the Bar
Whyte-Melville, G. J. (George John)
Country life -- England -- Fiction; English fiction -- 19th century; Fox hunting -- Fiction
The “Jovial,” whose shattered nerves could not brook suspense as well as
mine, addressing the elaborate exquisite by the familiar abbreviation of
“Pop” (his real name was Popham Algernon Adolphus Evergreen, so it _did_
come shorter to call him “Pop”), asked him point-blank, “What they had
done with the rest of the party?” to which “Pop” after a vague stare,
and an effort to remember where he was, replied, “Party?—Oh!—Aw!—Yes.
Some of the fellows were late, and went on at once to the Gorse. Emperor
won’t like it (meaning the Earl); but daren’t blow up, because The
Slasher’s gone on with ’em.”
“The Slasher?” exclaimed Plumtree, turning very red and forgetting in
his indignation to be either slang or cool, “Who the devil do you call
The Slasher?”
“Pop” gathered his wits together once more, and replied imperturbably,
“Oh, The Slasher, you know—that Miss Merlin, you know. It’s a name Bight
gave her, you know. I’m sure I don’t know why; but he’s a devilish
clever fellow, Bight, so they say. It wouldn’t be a bad name for a
horse, would it?”
“Pop” relapsing into a brown study at this juncture, it was impossible
to get anything more satisfactory out of that priceless piece of
porcelain-ware; and the “Jovial,” blowing off his indignation in clouds
of cigar-smoke, trotted on to have a look at the hounds, young Evergreen
running his eye over myself and horse with a supercilious stare that, in
my opinion, did no credit to his good manners. A leading duchess,
however, in London, had stated her opinion that “Lady Evergreen’s boy
was the best-dressed and the most impudent young one of his year;” so
“Pop” was very much the fashion in consequence.
A little wide of the hounds, in order to do no mischief, and a little
clear of the horses, lest the four-year-old should prove too handy with
his heels, I observe my former acquaintance Tips, the rough-rider, in
the full glory of his profession. He had so completely singled himself
out from the crowd, that he could not but attract attention. Rather
neater in his dress than when I had seen him last, and with a clean
white neckcloth of clerical proportions, Mr. Tips sat down in the saddle
as no man but a professional horse-breaker ever _does_ sit—an attitude
only to be acquired by the habit of keeping constantly on his guard
against the agreeable varieties of rearing, kicking, plunging, turning
round, and lying down, adopted by a thoroughly refractory pupil when his
“dander” is up. Tips, prepared for any or all of these vagaries at a
moment’s notice, kept his knees well forward, his feet home in the
stirrups, his hands apart, holding the reins rather long, for he likes,
he says, “to give them plenty of rope” when they begin throwing their
heads about, and his short sturdy cutting whip ready in his right.
Public-domain text, read in full here on John Shaqi.
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