Marmion: A Tale of Flodden Field in Six CantosScott, Walter
General
Marmion: A Tale of Flodden Field in Six Cantos
Scott, Walter
Flodden, Battle of, England, 1513 -- Poetry
line 3. steepy linn. Steepy is Elizabethan = steep, precipitous.
Linn (Gael. linne = pool; A.S. hlinna = brook) is variously used for
'pool under a waterfall,' 'cascade,' 'precipice,' and 'ravine.' The
reference here is to the ravine close by Ashestiel, mentioned in
Lockhart's description of the surroundings:--'On one side, close
under the windows, is a deep ravine clothed with venerable trees,
down which a mountain rivulet is heard, more than seen, in its
progress to the Tweed.'
line 16. our forest hills. Selkirkshire is poetically called
'Ettrick Forest'; hence the description of the soldiers from that
district killed at Flodden as 'the flowers of the forest.'
line 22. Cp. Hamilton of Bangour's allusion (Ode III. 43) to the
appearance of winter on these heights;--
'Cast up thy eyes, how bleak and bare
He wanders on the tops of Yare!'
line 37. imps (Gr. emphutos, Swed. ympa). See 'Faery Queene,' Book
I. (Clarendon Press), note to Introd. The word means (1) a graft;
(2) a scion of a noble house; (3) a little demon; (4) a mischievous
child. The context implies that the last is the sense in which the
word is used here. Cp. Beattie's 'Minstrel,' i. 17:--
'Nor cared to mingle in the clamorous fray
Of squabbling imps,'
line 50. round. Strictly speaking, a round is a circular dance in
which the performers hold each other by the hands. The term,
however, is fairly applicable to the frolicsome gambols of a group
of lambs in a spring meadow. Certain rounds became famous enough to
be individualised, as e.g. Sellenger's or St. Leger's round,
mentioned in the May-day song, 'Come Lasses and Lads.' Cp. Macbeth,
iv. 1; Midsummer Night's Dream, ii. 2; and see note on Comus, line
144, in 'English Poems of Milton,' vol. i. (Clarendon Press).
line 53. Lockhart, in a foot-note to his edition of 'Marmion,'
quotes from the 'Monthly Review' of May, 1808: 'The "chance and
change" of nature--the vicissitudes which are observable in the
moral as well as the physical part of the creation--have given
occasion to more exquisite poetry than any other general subject....
The Ai, ai, tai Malaki of Moschus is worked up again to some
advantage in the following passage-- "To mute," &c.'
lines 61, 62. The inversion of reference in these lines is an
illustration of the rhetorical figure 'chiasmus.' Cp. the
arrangement of the demonstrative pronouns in these sentences from
'Kenilworth':--'Your eyes contradict your tongue. That speaks of a
protector, willing and able to watch over you; but these tell me you
are ruined.'
line 64. Cp. closing lines of Wordsworth's 'Ode on Intimations of
Immortality' (finished in 1806):--
'To me the meanest flower that blows can give
Thoughts that do often lie too deep for tears.'
lines 65-8. Nelson fell at Trafalgar, Oct. 21, 1805; Pitt died Jan.
23, 1806.
line 72. Gadite wave. The epithet is derived from Gades, the Roman
name of the modern Cadiz.
Public-domain text, read in full here on John Shaqi.
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