Marmion: A Tale of Flodden Field in Six CantosScott, Walter
General
Marmion: A Tale of Flodden Field in Six Cantos
Scott, Walter
Flodden, Battle of, England, 1513 -- Poetry
'Then anon Sir Launcelot awaked, and set himselfe upright, and he
thought him what hee had there seene, and whether it were dreames or
not; right so he heard a voice that said, "Sir Launcelot, more hardy
than is the stone, and more bitter than is the wood, and more naked
and bare than is the liefe of the fig-tree, therefore go thou from
hence, and withdraw thee from this holy place;" and when Sir
Launcelot heard this, he was passing heavy, and wist not what to
doe. And so he departed sore weeping, and cursed the time that he
was borne; for then he deemed never to have had more worship; for
the words went unto his heart, till that he knew wherefore that hee
was so called.'--SCOTT.
line 273. Arthur is the hero of the 'Faery Queene.' In his
explanatory letter to Sir Walter Raleigh, Spenser says, 'I chose the
historye of King Arthure, as most fitte for the excellency of his
person, being made famous by many mens former workes, and also
furthest from the daunger of envy, and suspicion of present time.'
line 274. Milton is said to have meditated in his youth the
composition of an epic poem on Arthur and the Round Table. In
'Paradise Lost' ix. 26, he states that the subject of that poem
pleased him 'long choosing and beginning late,' and references both
in 'Paradise Lost' and 'Paradise Regained' prove his familiarity
with the Arthurian legend. Cp. Par. Lost, i. 580, and Par. Reg. ii.
358.
line 275. Scott quotes from Dryden's 'Essay on Satire,' prefixed to
the translation of Juvenal, regarding his projected Epic. 'Of two
subjects,' says Dryden, 'I was doubtful whether I should choose that
of King Arthur conquering the Saxons, which, being further distant
in time, gives the greater scope to my invention; or that of Edward
the Black Prince, in subduing Spain, and restoring it to the lawful
prince, though a great tyrant, Pedro the Cruel....I might perhaps
have done as well as some of my predecessors, or at least chalked
out a way for others to amend my errors in a like design; but being
encouraged only with fair words by King Charles II, my little salary
ill paid, and no prospect of a future subsistence, I was then
discouraged in the beginning of my attempt; and now age has
overtaken me, and want, a more insufferable evil, through the change
of the times, has wholly disabled me.'
lines 281-3. Dryden's dramas, certain of his translations, and
various minor pieces adapted to the prevalent taste of his time, are
unworthy of his genius. Pope's reflections on the poet forgetful of
the dignity of his office, with the allusion to Dryden as an
illustration ('Satires and Epistles,' v. 209), may be compared with
this passage;--
'I scarce can think him such a worthless thing,
Unless he praise some monster of a king;
Or virtue, or religion turn to sport,
To please a lewd, or unbelieving court.
Unhappy Dryden! In all Charles's days,
Roscommon only boasts unspotted bays.'
line 283. Cp. Gray's 'Progress of Poesy,' 103--
Public-domain text, read in full here on John Shaqi.
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