Labrador (N.L.) -- Fiction; London (England) -- Fiction; Love stories, English
The transition from that attitude to ownership was amazingly rapid. Then
nothing remained but to wait for the picture. She had dreaded a mistake,
a blundering discord, but now with the thing hung she could see her
quick eye had not betrayed her. It was a mass of reds, browns, purples,
and vivid greens and greys; an effect of roof and brick house facing
upon a Dutch canal, and it lit up the room and was echoed and reflected
by all the rest of her courageous colour scheme, like a coal-fire amidst
mahogany and metal. It justified itself to her completely, and she faced
her husband with a certain confidence.
"Hullo!" he cried.
"A new picture," she said. "What do you think of it?"
"What is it?"
"A town or something--never mind. Look at the colour. It heartens
everything."
Trafford looked at the painting with a reluctant admiration.
"It's brilliant--and impudent. He's an artist--whoever he is. He hits
the thing. But--I say--how did you get it?"
"I bought it."
"Bought it! Good Lord! How much?"
"Oh! ten guineas," said Marjorie, with an affectation of ease; "it will
be worth thirty in ten years' time."
Trafford's reply was to repeat: "Ten guineas!"
Their eyes met, and there was singularly little tenderness in their
eyes.
"It was priced at thirteen," said Marjorie, ending a pause, and with a
sinking heart.
Trafford had left her side. He walked to the window and sat down in a
chair.
"I think this is too much," he said, and his voice had disagreeable
notes in it she had never heard before. "I have just been earning two
guineas at Croydon, of all places, administering comminuted science to
fools--and here I find--this exploit! Ten guineas' worth of picture. To
say we can't afford it is just to waste a mild expression. It's--mad
extravagance. It's waste of money--it's--oh!--monstrous disloyalty.
Disloyalty!" He stared resentful at the cheerful, unhesitating daubs of
the picture for a moment. Its affected carelessness goaded him to fresh
words. He spoke in a tone of absolute hostility. "I think this winds me
up to something," he said. "You'll have to give up your cheque-book,
Marjorie."
"Give up my cheque-book!"
He looked up at her and nodded. There was a warm flush in her cheeks,
her lips panted apart, and tears of disappointment and vexation were
shining beautifully in her eyes. She mingled the quality of an
indignant woman with the distress and unreasonable resentment of a
child.
"Because I've bought this picture?"
"Can we go on like this?" he asked, and felt how miserably he had
bungled in opening this question that had been in his mind so long.
"But it's _beautiful!_" she said.
Public-domain text, read in full here on John Shaqi.
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