One day Trafford, returning from an afternoon of forced and disappointing work in his laboratory,--his mind had been steadfastly sluggish and inelastic,--discovered Marjorie's dining room crowded with hats and all the rustle and colour which plays so large a part in constituting contemporary feminine personality. Buzard, the feminist writer, and a young man just down from Cambridge who had written a decadent poem, were the only men present. The chairs were arranged meeting-fashion, but a little irregularly to suggest informality; the post-impressionist picture was a rosy benediction on the gathering, and at a table in the window sat Mrs. Pope in the chair, looking quietly tactful in an unusually becoming bonnet, supported by her daughter and Agatha Alimony. Marjorie was in a simple gown of blueish-grey, hatless amidst a froth of foolish bows and feathers, and she looked not only beautiful and dignified but deliberately and conscientiously patient until she perceived the new arrival. Then he noted she was a little concerned for him, and made some futile sign he did not comprehend. The meeting was debating the behaviour of women at the approaching census, and a small, earnest, pale-faced lady with glasses was standing against the fireplace with a crumpled envelope covered with pencil notes in her hand, and making a speech. Trafford wanted his tea badly, but he had not the wit to realize that his study had been converted into a refreshment room for the occasion; he hesitated, and seated himself near the doorway, and so he was caught; he couldn't, he felt, get away and seem to slight a woman who was giving herself the pains of addressing him.