Married or single?, Vol. 2 (of 3)Croker, B. M. (Bithia Mary)
General
Married or single?, Vol. 2 (of 3)
Croker, B. M. (Bithia Mary)
English fiction -- Irish authors
“Oh, Mr. Jessop! is _that_ his name? He is a most cynical,
disagreeable-looking man. When did you first meet him, dear?”
“He called on me.” She did not add where--viz. in Solferino Place. “He
is rather amusing when he is in a good humour.”
“What is he?”
“A barrister; a clever, idle barrister.”
“Oh, is he a barrister? Do you know, I rather like them. I wonder if
he would take us over one of the inns, and to see the Law Courts and
Temple? Wouldn’t you like to see it, some day?”
“No. I don’t think I should care much about it,” rejoined Madeline with
studied indifference.
Could--oh, could Mrs. Leach have guessed anything? At any rate, she was
getting _hot_, as they say in magic music; and, to put an end to such
hazardous conversation, she went over to the piano and began to play a
little thing of Grieg’s. Now that she suspected Mrs. Leach--handsome,
well-mannered, charming, low-voiced Mrs. Leach--of wishing to play
the spy, her terrified memory recalled many little items which she
pieced together: how Mrs. Leach had a careless way of looking over all
the letters, of hearing two conversations at the same time, of asking
strange and seemingly stupid questions--especially about the last years
of her residence at Harperton!
In the early days of Mr. West’s convalescence, when his appearance
downstairs and his temper had been somewhat fitful, Madeline found
herself one afternoon alone in the library with Lord Toby. He was
talking of the theatres, and urging her to accompany him and Lady
Rachel to the Haymarket.
“This beastly snow has stopped the hunting, and there is nothing to do
but skate and go to the play. Why can’t you come to-night? Your father
is pretty nearly all right; and Mrs. Leach will look after him. It’s a
capital piece. Oh, I forgot!” and he paused; he had been walking to
and fro, with his hands in his pockets.
“Forgot what?” looking up from her embroidery.
“That you’d seen it before.”
“What do you mean?” she asked, gazing at him with dispassionate calm.
“I mean that I saw you there, now I remember; but I didn’t see your
chaperon! You needn’t look so stunned; you were with a good-looking
chap, in a stage box. You sat with your back to the audience, too.”
“What _are_ you talking about?”
“And you appeared to be delighted with the piece; but I thought your
friend seemed a little bored. And, don’t you remember, I spoke to you
in the vestibule? Who was he?”
“Oh yes! Looked rather bored, did he? Then surely you can _guess_ who
he was!” now smiling expressively.
“Not”--coming to a standstill--“not your----”
“Hush! Yes.”
“Well, I _am_ blessed! He is a gentleman, anyway.”
“Thank you. I must tell him; he will be _so_ pleased.”
“I mean that he looks clean-bred; not like----” and he stopped. “Of
course I can easily find out who he is; but, honour bright, I won’t! I
will forbear.”
“Then, I’ll take pity on your starving curiosity. His name is Wynne.”
“What, the writing chap?”
“Yes.”
“And you are Mrs. Wynne?”
Public-domain text, read in full here on John Shaqi.
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