The extension in this manner of the curious triangulation of the light
areas into and through all the dark areas as well, by thus spreading
the field of its operations over both terranes complexioned so unlike,
greatly increases the cogency of the deduction that this detail is of
later origin than the background upon which it rests. That the mesh of
lines covers not only the ochre stretches of the disk, but the
blue-green parts as well, makes it still more certain that it is not a
simple physical outcome of the fundamental forces that featured the
planet’s face. For in that case it could not with such absolute
impartiality involve both alike. Thus here, again, we find
corroboration by later observations of what earlier ones established.
A last link in the chain of canal sequences remains to be recorded.
Just as the lines in the dark regions continued those in the light, so
they themselves turned out to be similarly prolonged and in no less
suggestive a manner. For when the north polar zone came to be
displayed, canals were evident there, continuing those in the other
zones and running at their northern ends into dark spots at the edge of
the polar cap. Here, then, we have the end of the whole system, or more
properly its origin, in the polar snows. The significance of this will
be seen from other phenomena, to a consideration of which we now
proceed.
CHAPTER XX
OASES
Next to be caught of the details of this most curious network that
meshes the surface of Mars was a set of phenomena stranger even than
the lines; to wit, dark round dots standing at their intersections.
More difficult to make out than the lines, they were in consequence
detected thus later by fifteen years. Once discovered, however, it
became possible to trace their unconscious recognition back in time.
Thus Schiaparelli told the writer in 1895, apropos of those found at
Flagstaff, that he had himself suspected them but could not make sure.
Some of them stand figured in his _Memoria Sesta_ dealing with the
opposition of 1888, but not published till 1899. In such posthumous
recognition, as one may call it, the spots repeated the history of the
canals. For Schiaparelli had himself pointed out a similar preconscious
visioning of the canals in the delicate pencilings of Dawes and the
streaks of Lockyer, Kaiser, and Secchi, now translatable as
representing the Phison, the Euphrates, and half a dozen other canals
imperfectly seen. That both the canals and the oases were thus sketched
before they were seen well enough to be definitely discovered is to an
unprejudiced mind among their strongest credentials to credit.
Public-domain text, read in full here on John Shaqi.
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