But the big screen spectacles in full color, with electronic sound effects, make the world of illusion and the world of sober reality seem as far apart as two contradictory constructs in symbolic logic. When you look at that kind of motion picture you get the illusion that all of the events on the screen, even the intimate, two-person closeups, are taking place on a gigantic scale. The sharpness and brightness of everything, the brilliance of the colorama, the dramatic selectivity which makes each scene burn its way into your brain as a titan encounter in a world of giants is so overwhelming that when you emerge from the theater after watching such a film the world of reality seems small, stunted, anaemic by contrast. You look at the men and women walking past you on the street and they seem to have nothing in common with the men and women you've just seen on the screen. That quiet little guy puffing on a cigarette and returning your stunned stare with a perplexed frown may be the director of a big power combine, with just as much lightning at his finger-tips. But he seems like a pygmy. It would be impossible to visualize him as a helmeted giant stripped to the waist, breasting wild seas at the helm of a Viking ship or a spacesuited giant in a colorama with a present-day background. In the big screen spectacles all of the men seem gigantic, with tremendous, muscular torsos. Even the little guys look like titan figures, fifty or a hundred times as large as they seem outside the theater. And the women--with the possible exception of the very feminine ones with overwhelming sex appeal--look like Amazons. You can't even equate the violence you encounter in everyday life with the violence that takes place in a big screen spectacle. After you've watched the spectacle kind of violence for three or four hours an army equipped with the most formidable of modern weapons, closing in on a half-bombed out city would look infinitely less formidable--toy soldiers in a kindergarten world which the big-image, colorama giants could topple and scatter just by inflating their cheeks and blowing on them. Even the Big Mushroom, which we've miraculously managed to keep from blowing Earth apart for almost a century now, looks fifty times as destructive when you see it on the screen, spiraling skyward as the crowning spectacle of a sound-color, fifty-million-dollar Armageddon. But remember this. It doesn't cost anything like that much to put four or five giants from that kind of motion picture on a screen in a Big-Image interrogation room. The cost, in fact, is negligible, because just one scene can be repeated over and over. You're seated all alone in the middle of what looks like a medieval torture chamber--if you leave out the racks and thumbscrews and iron maidens and just think of such a chamber as a blank-walled, cell-like horror--and on the screen, fifty or a hundred times lifesize, are the lads who have been given the task of cutting you down to size.