The great editor is by no means the great writer. But he ought to be able
to write and must be a judge of writing. The newspaper office is a little
kingdom. The great editor needs to know and does know every range of it
between the editorial room, the composing room and the pressroom. He must
hold well in hand everybody and every function, having risen, as it were,
step-by-step from the ground floor to the roof. He should be level-headed,
yet impressionable; sympathetic, yet self-possessed; able quickly to sift,
detect and discriminate; of various knowledge, experience and interest; the
cackle of the adjacent barnyard the noise of the world to his eager mind
and pliant ear. Nothing too small for him to tackle, nothing too great,
he should keep to the middle of the road and well in rear of the moving
columns; loving his art--for such it is--for art's sake; getting his
sufficiency, along with its independence, in the public approval and
patronage, seeking never anything further for himself. Disinterestedness
being the soul of successful journalism, unselfish devotion to every noble
purpose in public and private life, he should say to preferment, as to
bribers, "get behind me, Satan." Whitelaw Reid, to take a ready and
conspicuous example, was a great journalist, but rather early in life
he abandoned journalism for office and became a figure in politics and
diplomacy so that, as in the case of Franklin, whose example and footsteps
in the main he followed, he will be remembered rather as the Ambassador
than as the Editor.
More and more must these requirements be fulfilled by the aspiring
journalist. As the world passes from the Rule of Force--force of prowess,
force of habit, force of convention--to the Rule of Numbers, the daily
journal is destined, if it survives as a power, to become the teacher--the
very Bible--of the people. The people are already beginning to distinguish
between the wholesome and the meretricious in their newspapers. Newspaper
owners, likewise, are beginning to realize the value of character.
Instances might be cited where the public, discerning some sinister
but unseen power behind its press, has slowly yet surely withdrawn its
confidence and support. However impersonal it pretends to be, with whatever
of mystery it affects to envelop itself, the public insists upon some
visible presence. In some States the law requires it. Thus "personal
journalism" cannot be escaped, and whether the "one-man power" emanates
from the Counting Room or the Editorial Room, as they are called, it must
be clear and answerable, responsive to the common weal, and, above all,
trustworthy.
IV
John Weiss Forney was among the most conspicuous men of his time. He was
likewise one of the handsomest. By nature and training a journalist, he
played an active, not to say an equivocal, part in public life-at the
outset a Democratic and then a Republican leader.
Public-domain text, read in full here on John Shaqi.
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