Marsena, and Other Stories of the WartimeFrederic, Harold
History
Marsena, and Other Stories of the Wartime
Frederic, Harold
United States -- History -- Civil War, 1861-1865 -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
Presently I went in to warm myself, and stood with my red fingers over
the stove top. She cast but one vague glance at me, through the open
frame of the loom between us, and went on with her work. It was not
our habit to talk much in that house. She was too busy a woman, for
one thing, to have much time for conversation. The impression that she
preferred not to talk was always present in my boyish mind. I call up
the picture of her still as I saw her then under the top bar of the
cumbrous old machine, sitting with lips tight together, and resolute,
masterful eyes bent upon the twining intricacy of warp and woof before
her. At her side were piled a dozen or more big balls of carpet rags,
which the village wives and daughters cut up, sewed together and
wound in the long winter evenings, while the men-folks sat with their
stockinged feet on the stove hearth, and read out the latest "news
from the front" in their _Weekly Tribune_.
I knew all these rag balls by the names of their owners. Not only did
I often go to their houses for them, upon the strength of the general
village rumor that they were ready, and always carry back the finished
lengths of carpet; but I had long since unconsciously grown to watch
all the varying garments and shifts of fashion in the raiment of our
neighbors, with an eye single to the likelihood of their eventually
turning up at Aunt Susan's loom. When Hiram Mabie's checkered butternut
coat was cut down for his son Roswell, I noted the fact merely as a
stage of its progress toward carpet rags. If Mrs. Wilkins concluded to
turn her flowered delaine dress a third year, or Sarah Northrup had her
bright saffron shawl dyed black, I was sensible of a wrong having been
done our little household. I felt like crossing the street whenever I
saw approaching the portly figure of Cyrus Husted's mother, the woman
who dragged everybody into her house to show them the ingrain carpet
she had bought at Tecumseh, and assured them that it was much cheaper
in the long run than the products of my Aunt's industry. I tingled with
indignation as she passed me on the sidewalk, puffing for breath and
stepping mincingly because her shoes were too tight for her.
Public-domain text, read in full here on John Shaqi.
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