Marsena, and Other Stories of the WartimeFrederic, Harold
History
Marsena, and Other Stories of the Wartime
Frederic, Harold
United States -- History -- Civil War, 1861-1865 -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
My Aunt suspended work for the moment, and looked severely down upon
me. "Well! Ira Clarence Blodgett!" she said, with grim emphasis, "I am
ashamed of you! I thought you had more pride! The idea of talking about
things like that with a coarse, rough, hired man—in a barn!"
To hear my full name thus pronounced, syllable by syllable, sent me
fairly weltering, as it were, under Aunt Susan's utmost condemnation.
It was the punishment reserved for my gravest crimes. I hung my head,
and felt the lamp wagging nervelessly in my hands. I could not deny
even her speculative impeachment as to the barn; it was blankly
apparent in my mind that the fact of the barn made matters much worse.
"I was helping him wash their two-seated sleigh," I submitted, weakly.
"He asked me to."
"What does that matter?" she asked, peremptorily. "What business have
you got going around talking with men about me?"
"Why, it wasn't about you at all, Aunt Susan," I put in more
confidently. "I said the Perkins girls kept calling me 'wise child,'
and I asked Hi——"
Aunt Susan sighed once more, and interrupted me to inspect the wick of
the lamp. Then she turned again to her work, but less spiritedly now.
She took up the cleaver with almost an air of sadness.
"You don't understand—yet," she said. "But don't make it any harder
for me by talking. Just go along and say nothing to nobody. People will
think more of you."
My mind strove in vain to grapple with this suggested picture of
myself, moving about in perpetual dumbness, followed everywhere by
universal admiration. The lamp would _not_ hold itself straight.
All at once we both distinctly heard the sound of footsteps close
outside. The noise of crunching on the dry, frozen snow came through
the thin clap-boards with sharp resonance. Aunt Susan ceased cutting
and listened.
"I heard somebody rapping at the front door a spell ago," I ventured
to whisper. My Aunt looked at me, and probably realized that I was
too sleepy to be accountable for my actions. At all events she said
nothing, but moved toward the low door of the shed, cleaver in hand.
"Who's there?" she called out in shrill, belligerent tones; and this
demand she repeated, after an interval of silence, when an irresolute
knocking was heard on the door.
We heard a man coughing immediately outside the door. I saw Aunt Susan
start at the sound—almost as if she recognized it. A moment later this
man, whoever he was, mastered his cough sufficiently to call out, in a
hesitating way:
"Is that you, Susan?"
Aunt Susan raised her chin on the instant, her nostrils drawn in, her
eyes flashing like those of a pointer when he sees a gun lifted. I
had never seen her so excited. She wheeled round once, and covered me
with a swift, penetrating, comprehensive glance, under which my knees
smote together, and the lamp lurched perilously. Then she turned
again, glided toward the door, halted, moved backward two or three
steps—looked again at me, and this time spoke.
Public-domain text, read in full here on John Shaqi.
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