California -- Fiction; New York (N.Y.) -- Fiction; Sisters -- Fiction; Women -- Fiction
Flanking his own picture on his mother's bureau was a photograph of a
magnificent person in velvet knickerbockers and a frilled shirt with a
cocked hat under his arm. This was Daddy, Teddy's mother told him; he
must remember Daddy! But Teddy could not remember him.
"Darling--don't you remember Muddy taking you down to a train, and
don't you remember the big man that carried you and bought you a
sand-machine?"
"Where is my sand-machine, Moth'?" the little boy would demand
interestedly.
"But Teddy, my heart, you were a big boy then, you were long past two.
CAN'T you remember?"
No use. When Wallace came back he must make the acquaintance of his son
all over again. Martie would sigh, half-vexed, half-amused.
"Aren't they the queer little things, Adele? He remembers his
sand-machine and doesn't remember his father!"
"Oh, I don't know, Martie. That was just after we came, you know. And I
remember thinking that Teddy was a mere baby then!"
"Well, Wallace may be back any day now." Martie always sighed deeply
over the courageous phrase. Wallace had followed a devious course in
these years of the child's babyhood. Short engagements, failures, weeks
on the road, some work in stock companies in the lesser cities--it was
a curious history. He had seen his wife at long intervals, sometimes
with a little money, once or twice really prosperous and hopeful,
once--a dreadful memory--discouraged and idle and drinking. This was
the last time but one, more than a year ago. Then had come the visit
when she had met him, and he had given Teddy the sand toy. Martie had
clung to her husband then; he had not looked well; he would never make
anything of this wretched profession, she had pleaded. She was doing
well at the boarding-house; he could stay there while he looked about
him for regular work.
But Wallace was "working up" a new part, and it was going to be a great
hit, he said. Every one was crazy about it. He would not go to the
boardinghouse; he said that his wife's work there was the "limit." For
his three days in town he lived with a fellow-actor at a downtown
hotel, and Martie had a curious sense that he did not belong to her at
all. There was about him the heavy aspect and manner of a man who has
been drinking, but he told her that he was "all to the wagon." His
associate, a heavy, square-jawed man with a dramatic manner, praised
Wallace's professional and personal character highly. Martie, deeply
distressed, saw him go away to try the new play and went back to her
own life.
This was in a bitter January. Now Teddy, building houses on the floor,
had passed his third enchanting birthday, and winter was upon the big
city again. Martie awaited it philosophically. Her coal was in, anyway,
or would be in, in another hour, and if the coal-drivers' strike came
to pass she might sleep in the comfortable consciousness that no one
under her roof would suffer. Her clean curtains would go up this week;
it had been an endless job; it was finished.
Public-domain text, read in full here on John Shaqi.
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