I have often had presentiments, and they have usually been realised; but
this was more than a presentiment: it was a certainty that interfered
with all my preparations, surrounding them with a feeling of
apprehension. I gave orders for the making of the costume, which I was
convinced I should never wear; I set myself drearily to learn the part
of “Dame Kitely,” which I _knew_ I was never destined to recite. My
foreboding was but too sadly fulfilled. My sister-in-law came into the
room one day and broke to me as tenderly as possible the death, in
circumstances of a most distressing nature, of that dear and beautiful
friend to whom I have alluded by the name of Fanny. If any words could
have afforded me consolation at so terrible a moment, they would have
been such tender and sympathetic lines as those which I received from
the kind manager of our company, when he said:
[Sidenote: LETTER FROM CHARLES DICKENS]
“We are all extremely concerned and distressed to lose you, but
we feel that it cannot be otherwise, and we do not in our own
expectation of amusement, forget the sad cause of your absence.
Bulwer was here yesterday, and if I were to tell you how
earnestly he and all the other friends whom you don’t know have
looked forward to the projected association with you, and in
what a friendly spirit they all express their disappointment,
you would be quite moved by it, I think.”
In November, 1851, Charles Dickens and his family went to live in
Tavistock House, Tavistock Square, where they remained until the year
1857. The very sound of the name is replete to me with memories of
innumerable evenings passed in the most congenial and delightful
intercourse; dinners, where the guests vied with each other in brilliant
conversation, whether intellectual, witty, or sparkling—evenings devoted
to music or theatricals. First and foremost of that magic circle was the
host himself, always “one of us,” who invariably drew out what was best
and most characteristic in others, who used the monosyllable “we” much
more frequently than that of “I,” and who made use of his superiority to
charm and quicken the society around him, but never to crush or
overpower it with a sense of their inferiority. The most diffident girl
was encouraged to express her modest opinion to the great man, and in
him the youngest child ever found a ready play-fellow.
I can never forget one evening, shortly after the arrival at Tavistock
House, when we danced in the New Year. It seemed like a page cut out of
the “Christmas Carol,” as far, at least, as fun and frolic went:
authors, actors, friends from near and far, formed the avenues of two
long English country dances, in one of which I had the honour of going
up and down the middle, almost “interminably” as it seemed, with Charles
Dickens for my partner.
Public-domain text, read in full here on John Shaqi.
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