This magnificent dwelling, now in possession of Earl Cowper, K.G., but
at the time of which I am writing, was the residence of his mother,[108]
who inherited it from Earl de Grey,[109] her father. The estate of
Wrest, together with the fine mansion in St James’s Square, London,
devolved on the above-mentioned nobleman on the death of his aunt,
Countess de Grey. This house of Wrest in Bedfordshire he pulled down and
rebuilt according to his own designs in the style of a French chateau.
The pictures which adorn the walls were painted expressly for him; the
tapestry which lends so rich a colouring to the interior of Wrest was
woven under Lord de Grey’s immediate direction in the _atéliers_ of the
Gobelins; while the rich gilding, cornices, and ceilings were all
executed under his supervision, and do the greatest credit to his taste
and ingenuity. He also supplemented the plans and enlarged the
ornamentation of the already beautiful gardens and pleasure-grounds
which surround the house. It was also from the ingenious design of Lord
de Grey that the charming little theatre was constructed, the stage of
which rolled backwards and forwards at will, while two splendid
portraits by Sir Joshua Reynolds ornamented the proscenium.
Footnote 108:
Anne Florence, daughter of Thomas, second Earl de Grey; born 1806;
died 1880.
Footnote 109:
Thomas Philip, second Earl de Grey, who inherited Wrest from his aunt,
Amabel, Countess de Grey.
It was my good fortune on several occasions at Wrest to form one of a
pleasant company, both dramatic and social. Our hostess was one of the
most agreeable and distinguished members of society, and I scarcely
think I can do better than transcribe her moral portraiture, traced by
the hand of one who knew her and loved her well.
“I think I can sum up Lady Cowper’s leading attributes in three
words—wit, wisdom, and goodness. In the relationship of daughter, wife,
and mother, she left nothing to be desired; as a hostess she was
pre-eminently agreeable, being a most delightful companion; she had
lived with all that was politically and socially distinguished in her
day, and had read all that was worth reading in modern literature. She
derived keen enjoyment from the ‘give and take’ of discussion; her
opinions were decided, and their expression fresh and spontaneous; into
whatever well it was lowered the bucket invariably came up full.” In her
later days, even under the pressure of failing health, her
conversational powers never flagged; she was most brilliant in the
freshness of morning, and shone conspicuously at the breakfast table,
thereby rendering that repast far more animated than is usually the
case. Her sallies, though never ill-natured, were often unexpected and
startling, which added a zest to her conversation.
Public-domain text, read in full here on John Shaqi.
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