Genoa does not afford much scope or variety for those who love riding,
but where there was a horse, and a side-saddle to put on it, my sister
and I could not be kept from mounting, and by degrees most of the
Genoese gentlemen whom we met in society joined our riding parties,
until our cavalcade lengthened out to enormous proportions, and many
were the pleasant gallops we had along the coast. Alas! that most of
those gay cavaliers have long since been numbered with the dead. One in
particular I recall with sincere affection. He was the Chevalier Pietro
de Boyl, brother of the Marchese of the same name. He was a Sardinian by
birth, and at this time a Captain in the Engineers. He was remarkable
for his extreme beauty and high courage, which he proved afterwards by
distinguishing himself greatly as A.D.C. to King Charles Albert in
several battles. He was subsequently Governor of his native island of
Sardinia, but, at the time of which I am speaking, he was merely a young
officer, one of my favourite partners, and a constant visitor at our
house. He sang well to the guitar, and his other charms were enhanced in
my eyes by his devotion to _cara miladi_, as he alway called my dear
mother.
It was during our sojourn at Genoa that King William IV. bestowed on my
father the Guelphic and Hanoverian Order, which his Majesty was very
fond of dispensing. When the news of the decoration reached Genoa, we
received visits of congratulation from all our friends, and at the same
time letters and notes offering sympathy to my mother upon what was
considered a very questionable elevation.
How grieved I was when the time came to leave beautiful Genoa! The
Carnival had been so enjoyable, the fun so “fast and furious,” and the
opera season so delightful. We had been almost every night to the
theatre, having a box placed at our disposal by one or other of our
Genoese friends. Visits were paid from one box to another by all the
gentlemen of our acquaintance, and the society thus enjoyed was on an
easy and agreeable footing. The _prima donna_ at the time I am speaking
of was, strange as it may appear, a German by birth, and Madame Ungher
was, in my opinion, the finest actress I have ever seen, scarcely
excepting Rachel or Ristori. She was not remarkable for beauty, but had
a noble presence, was graceful in her movements, and her singing was
replete with expression, dignity and pathos. In the opera of the
_Pirata_, I shall never forget the scene in which she implores her child
to intercede with his father in her behalf. I was forcibly reminded of
this incident the other day, in witnessing Miss Mary Anderson’s
beautiful impersonation of Hermione in the _Winter’s Tale_, and the
touching dialogue between her and the little Prince, when she showed the
same tenderness, the same winning grace, but enhanced by an extreme
loveliness with which Madame Ungher was not endowed.
[Sidenote: “BALLETS D’ACTION”]
Public-domain text, read in full here on John Shaqi.
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