Mary Gresley, and An Editor's TalesTrollope, Anthony
General
Mary Gresley, and An Editor's Tales
Trollope, Anthony
Great Britain -- Social life and customs -- 19th century -- Fiction
I will acknowledge that I was enraged. It seemed to me impossible that
such folly should be allowed to prevail, or that after all my efforts I
should be treated by my own friends after such a fashion. I also got
upon my legs and protested loudly that Mr. Watt and Mr. Smith did not
even know what had been the subject under discussion, when the vote
adverse to novels had been taken. No record was kept of our proceedings;
and, as I clearly showed to them, Mr. Regan and Mr. Hallam were quite as
likely to hold correct views on this subject as were Mr. Watt and Mr.
Smith. All calling of men Pat, and Jack, and Walter, was for the moment
over. Watt admitted the truth of this argument, and declared that they
must again decide whether my story of “The New Inmate” was or was not a
novel in the sense intended when the previous vote was taken. If
not,--if the decision on that point should be in my favour,--then the
privilege of reading it would at any rate belong to me. I believed so
thoroughly in my own work that I desired nothing beyond this. We went to
work, therefore, and took the votes on the proposition,--Was or was not
the story of “The New Inmate” debarred by the previous resolution
against the admission of novels?
The decision manifestly rested with Mrs. St. Quinten. I was master,
easily master, of three votes. Hallam and Regan were altogether with me,
and in a matter of such import I had no hesitation in voting for
myself. Had the question been the acceptance or rejection of the story
for the magazine, then, by the nature of our constitution, I should have
had no voice in the matter. But this was not the case, and I recorded my
own vote in my own favour without a blush. Having done so, I turned to
Mrs. St. Quinten with an air of supplication in my face of which I
myself was aware, and of which I became at once ashamed. She looked
round at me almost furtively, keeping her eyes otherwise fixed upon
Churchill Smith’s immovable countenance. I did not condescend to speak a
word to her. What words I had to say, I had spoken to them all, and was
confident in the justice of my cause. I quickly dropped that look of
supplication and threw myself back in my chair. The moment was one of
intense interest, almost of agony, but I could not allow myself to think
that in very truth my work would be rejected by them before it was seen.
If such were to be their decision, how would it be possible that the
“Panjandrum” should ever be brought into existence? Who could endure
such ignominy and still persevere?
Public-domain text, read in full here on John Shaqi.
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