It was, I think, on this evening that we decided finally for columns and for a dark gray wrapper,--with a portrait of the Panjandrum in the centre; a fancy portrait it must necessarily be; but we knew that we could trust for that to the fertile pencil of Mrs. St. Quinten. I had come prepared with a specimen cover, as to which I had in truth consulted an artistic friend, and had taken with it no inconsiderable labour. I am sure, looking back over the long interval of years at my feelings on that occasion,--I am sure, I say, that I bore well the alterations and changes which were made in that design until at last nothing remained of it. But what matters a wrapper? Surely of any printed and published work it is by the interior that you should judge it. It is not that old conjuror’s head that has given its success to “Blackwood,” nor yet those four agricultural boys that have made the “Cornhill” what it is. We had now decided on columns, on the cover, and the colour. We had settled on the number of pages, and had thumbed four or five specimens of paper submitted to us by our worthy publisher. In that matter we had taken his advice, and chosen the cheapest; but still we liked the thumbing of the paper. It was business. Paper was paper then, and bore a high duty. I do not think that the system of illustration had commenced in those days, though a series of portraits was being published by one distinguished contemporary. We readily determined that we would attempt nothing of that kind. There then arose a question as to the insertion of a novel. Novels were not then, as now, held to be absolutely essential for the success of a magazine. There were at that time magazines with novels and magazines without them. The discreet young publisher suggested to us that we were not able to pay for such a story as would do us any credit. I myself, who was greedy for work, with bated breath offered to make an attempt. It was received with but faint thanks, and Walter Watt, rising on his legs, with eyes full of fire and arms extended, denounced novels in the general. It was not for such purpose that he was about to devote to the production of the “Panjandrum” any erudition that he might have acquired and all the intellect that God had given him. Let those who wanted novels go for them to the writer who dealt with fiction in the open market. As for him, he at any rate would search for truth. We reminded him of Blumine.[A] “Tell your novel in three pages,” said he, “and tell it as that is told, and I will not object to it.” We were enabled, however, to decide that there should be no novel in the “Panjandrum.” [A] See “Sartor Resartus”