Christian fiction; Scotland -- Fiction; Young women -- Fiction
The moment he had found, or believed he had found, what there was to
know about her, he was sure to hate her heartily. For some time after
his marriage, he appeared at his wife's parties oftener than he
otherwise would have done, just for the sake of having an eye upon
Sepia; but had seen nothing, nor the shadow of anything--until one
night, by the merest chance, happening to enter his wife's
drawing-room, he caught a peculiar glance between Sepia and a young
man--not very young--who had just entered, and whom he had not seen
before.
To not a few it seemed strange that, with her unquestioned powers of
fascination, she had not yet married; but London is not the only place
in which poverty is as repellent as beauty is attractive. At the same
time it must be confessed there was something about her which made not
a few men shy of her. Some found that, if her eyes drew them within a
certain distance, there they began to repel them, they could not tell
why. Others felt strangely uncomfortable in her presence from the
first. Not only much that a person has done, but much of what a person
is capable of, is, I suspect, written on the bodily presence; and,
although no human eye is capable of reading more than here and there a
scattered hint of the twilight of history, which is the aurora of
prophecy, the soul may yet shudder with an instinctive foreboding it
can not explain, and feel the presence, without recognizing the nature,
of the hostile.
Sepia's eyes were her great power. She knew the laws of mortar-practice
in that kind as well as any officer of engineers those of projectiles.
There was something about her engines which it were vain to attempt to
describe. Their lightest glance was a thing not to be trifled with, and
their gaze a thing hardly to be withstood. Sustained and without hurt
defied, it could hardly be by man of woman born. They were large, but
no fool would be taken with mere size. They were as dark as ever eyes
of woman, but our older poets delighted in eyes as gray as glass:
certainly not in their darkness lay their peculiar witchery. They were
grandly proportioned, neither almond-shaped nor round, neither
prominent nor deep-set; but even shape by itself is not much. If I go
on to say they were luminous, plainly there the danger begins. Sepia's
eyes, I confess, were not lords of the deepest light--for she was not
true; but neither was theirs a surface light, generated of merely
physical causes: through them, concentrating her will upon their
utterance, she could establish a psychical contact with _almost_ any
man she chose. Their power was an evil, selfish shadow of original,
universal love. By them she could produce at once, in the man on whom
she turned their play, a sense as it were of some primordial, fatal
affinity between her and him--of an aboriginal understanding, the rare
possession of but a few of the pairs made male and female. Into those
eyes she would call up her soul, and there make it sit, flashing light,
Public-domain text, read in full here on John Shaqi.
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