Christian fiction; Scotland -- Fiction; Young women -- Fiction
Many things showed that he had had little education, and therefore
probably the more might be made of him. Mary saw that he must be what
men call a genius, for his external history had been, by his own
showing, of an altogether commonplace type.
His father, who was a blacksmith before him, and a local preacher, had
married a second time, and Joseph was the only child of the second
marriage. His father had brought him up to his own trade, and, after
his death, Joseph came to work in London, whither his sister had
preceded him. He was now thirty, and had from the first been saving
what he could of his wages in the hope of one day having a smithy of
his own, and his time more at his ordering.
Mary saw too that in his violin he possessed a grand fundamental
undeveloped education; he was like a man going about the world with a
ten-thousand-pound-note in his pocket, and not many sixpences to pay
his way with. But there was another education working in him far
deeper, and already more developed, than that which divine music even
was giving him; this also Mary thoroughly recognized; this it was in
him that chiefly attracted her; and the man himself knew it as
underlying all his consciousness.
Though he could ill read aloud, he could read well for his inward
nourishment; he could write tolerably, and, if he could not spell, that
mattered a straw, and no more; he had never read a play of
Shakespeare--had never seen a play; knew nothing of grammar or
geography--or of history, except the one history comprising all. He
knew nothing of science; but he could shoe a horse as well as any man
in the three Ridings, and make his violin talk about things far beyond
the ken of most men of science.
So much of a change had passed upon Tom in his illness, that Mary saw
it not unreasonable to try upon him now and then a poem of her favorite
singer. Occasionally, of course, the feeling was altogether beyond him,
but even then he would sometimes enter into the literary merit of the
utterance.
"I had no idea there were such gems in George Herbert, Mary!" he said
once. "I declare, some of them are even in their structure finer than
many things that have nothing in them to admire except the structure."
"That is not to be wondered at," replied Mary.
"No," said Joseph; "it is not to be wondered at; for it's clear to me
the old gentleman plied a good bow. I can see that plain enough."
"Tell us how you see it," said Mary, more interested than she would
have liked to show.
"Easily," he answered. "There was one poem"--he pronounced it
_pome_--"you read just now--"
"Which? which?" interrupted Mary, eagerly.
"That I can not tell you; but, all the time you were reading it, I
heard the gentleman--Mr. George Herbert, you call him--playing the tune
to it."
"If you heard him so well," ventured Mary, "you could, I fancy, play
the tune over again to us."
Public-domain text, read in full here on John Shaqi.
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