Christian fiction; Scotland -- Fiction; Young women -- Fiction
Mary was too wise to hurry anything. One evening when he came as usual,
and she knew he was not at the moment wanted, she asked him to take a
seat while she played something to him. But she was not a little
disappointed in the reception he gave her offering--a delicate morsel
from Beethoven. She tried something else, but with no better result. He
showed little interest: he was not a man capable of showing where
nothing was, for he never meant to show anything; his expression was
only the ripple of the unconscious pool to the sway and swirl of the
fishes below. It seemed as if he had only a narrow entrance for the
admission of music into his understanding--but a large outlet for the
spring that rose within him, and was, therefore, a somewhat remarkable
exception to the common run of mortals: in such, the capacity for
reception far exceeds the capability of production. His dominant
thoughts were in musical form, and easily found their expression in
music; but, mainly no doubt from want of practice in reception, and
experience of variety in embodiment, the forms in which others gave
themselves utterance could not with corresponding readiness find their
way to the sympathetic place in him. But pride or repulsion had no
share in this defect. The man was open and inspired, and stupid as a
child.
The next time she made the attempt to open this channel between them,
something she played did find him, and for a few minutes he seemed lost
in listening.
"How nice it would be," she said, "if we could play together sometimes!"
"Do you mean both at once, miss?" he asked.
"Yes--you on your violin, and I on the piano."
"That could hardly be, I'm afraid, miss," he answered; "for, you see, I
don't know always--not exactly--what I'm going to play; and if I don't
know, and you don't know, how are we to keep together?"
"Nobody can play your own things but yourself, of course--that is,
until you are able to write them down; but, if you would learn
something, we could play that together."
"I don't know how to learn. I've heard tell of the notes and all that,
but I don't know how to work them."
"You have heard the choir in the church--all keeping with the organ,"
said Mary.
"Scarcely since I was a child--and not very often then--though my
mother took me sometimes. But I was always wanting to get out again,
and gave no heed."
"Do you never go to church now?"
"No, miss--not for long. Time's too precious to waste."
"How do you spend it, then?"
Public-domain text, read in full here on John Shaqi.
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